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Domenick Lombardozzi as Sean "Mac" McGrath in RAY DONOVAN (Season 6, Episode 07, "The 1-3-2"). - Photo Credit: Jeff Neumann/SHOWTIME - Photo ID: RAYDONOVAN_607_439.R.jpg Domenick Lombardozzi as Sean "Mac" McGrath in RAY DONOVAN (Season 6, Episode 07, "The 1-3-2"). - Photo Credit: Jeff Neumann/SHOWTIME - Photo ID: RAYDONOVAN_607_439.R.jpg

Ray Donovan

Requiem for Mac: How Domenick Lombardozzi won Ray Donovan fans

Photo Credit: Jeff Neumann/SHOWTIME

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Domenick Lombardozzi’s Mac went full circle on Ray Donovan, illustrating the fragility of the human mind to the ebb and flow of fleeting emotional state.

All it takes is one crummy day or disheartening phone call in Mac’s case for the strongest of exteriors to collapse, their hourglass reversing to empty in seconds. Imagine officer Sean ‘Mac’ McGrath pulling Ray Donovan out of the East River, saving a life against the will of its owner, literally kicking and screaming. In fact, getting rewarded with a few brute punches to the noggin along the way for his troubles… Yet, staying true to the honorable duty he swore to uphold, hand to heart. Staten Island’s finest.

Then envision the same man, broken beyond repair, sitting alone and destitute in his car, emotionally bankrupt. Momentarily contemplating the work required to push his ex-wife’s relationship back uphill to ever see his son again… Before finally letting go of the behemoth stone without opposition. Allowing the increscent moon-sized rock carrying life’s ever increasing troubles to roll backwards, crushing him in the process. Exiting the equation forever with a singular shot heard in the distance outside of a cheapo, rinky-dink motel’s forsaken parking lot.

Domenick Lombardozzi’s dynamite portrayal of Mac on Ray Donovan left a permanent mark on both Ray’s family and the show’s gallery of Sunday spectators. Bridget makes note of it when she tells her emotionally tormented father that she ‘doesn’t want him to end up like his friend in a parking lot.’ Mac’s untimely demise was a warning shot to Ray’s psyche, a foreshadowing of a yet to be written chapter in his life if he doesn’t obtain the necessary help. The side-by-side juxtaposition of Ray’s leap and Mac’s final juncture boldly unavoidable, always able to save everyone but themselves. Mac had told Ray, “We could have been brothers in another life,” in this case Mac representing the older brother from which to take in example from.

Symphonies of Acting Art by Domenick Lombardozzi

Domenick Lombardozzi’s interpretation of Mac, a regular ‘Joe’ on the surface, is anything but. Lombardozzi delievered a dauntingly complex performance of a man with the comforting, secure outwards nature of a bulldog internally dueling with the realities of being an officer. The job that became his identity ultimately consumed him and by extension, his family. Year by year chipping away until the way Ray met him, living by himself eating his son’s birthday cake in a drab room flush of life.

At the same time, Mac’s universal appeal comes from a genuine place of heart. A man’s man enjoying a good game of baseball on the tube with a pal, drinking a pint at his local pub, and owning an undying loyalty to those sacred to him… Even during the turbulent times when they despise everything he represents. The valor of silent masculinity much like Ray.

Opening Sonata: “Walk Away Ray”

A three word phrase that would become the hallmark of Mac’s captivating run on Showtime’s Ray Donovan. The first movement of Mac’s symphony featured this bluntly direct warning to Ray outside in the broad daylight of a police precinct. As is often the case when one tells someone else not to do something, they’re even more aptly motivated to do the opposite. Mac’s overture had no immediate effect on Ray, despite its reliable source.

“Walk Away Ray” would ominously serve as a source of pressure to the viewer, hooking them in through Lombardozzi’s exemplary delivery. Even without audio like the animation above, the story is told in Mac’s eyes without one audible word.

Adagio: “I can’t remember the last time I felt good”

When it comes to the Adagio slow-tempoed descent of the second movement, no scene stands out like Mac’s outward monologue with Bridget as his audience. The portrait of an individual juggling the consequences of past sins with his latest… Being indirectly forced to be an accomplice to the kidnapping of his best friend’s daughter to protect his own family. In this sequence rife with tension and the white noise of a movie from times past, the audience witnesses Mac’s final introspective plunge.

From the constant apologizing to Bridget Donovan for what he’s done, bargaining with her that they’ll take his family too if he doesn’t do what they tell him. “I don’t care what happens to me.” Then arrives the most brutal line, “I can’t remember the last time I felt good,” with the man legitimately trying to remember. Tears welled up in his eyes. Every ounce of the sentence is felt, the sorrow of a real human being who’s lost their way, stuck on a linear path despite their original hopes and dreams.

Scherzo: “You were the only one who ever thought I was worth something.”

The final uplifting moment in Mac’s story is the scherzo, an attempt at redemption for a lifetime of diverting from the person he was on the inside. Mac returns Bridget to Ray knowing it symbolizes the end of a ‘normal’ life, forever a target on his family’s back as leverage against him. Mac earnestly comments that Ray was, ‘The only one who ever believed he was worth something,’ and, ‘We could have been brothers in another life.’ Recalling again the notion of the linear path, pre-determined circumstances out of both Mac and Ray’s control. Mac’s raw honesty akin to the days of one’s youth, before the competition of adulthood demanded a stern mask. One without a public display of weakness at any avenue.

Allegro: Celebrating the life of Sean ‘Mac’ McGrath

Domenick Lombardozzi’s first-class performance as officer Sean ‘Mac’ McGrath was one of the many superb, regal highlights of Ray Donovan’s sixth season. Every audience member was left with the feeling of, ‘Gone too soon,’ upon his departure despite seeing the writing on the wall in that parking lot. The reverie of the esteemed man who rescued Ray Donovan from certain death in the season’s premiere. Forever intertwining Ray’s life with his as brothers, eventually to his detriment. When he pulled Ray out of the East River that day, he never left its depths.

Be sure to watch my interview with Mickey Donovan himself, Jon Voight, at last year’s Tribeca TV Festival!

Nir Regev is the founder of The Natural Aristocrat. You can directly contact him at nir.regev@thenaturalaristocrat.com for coverage consideration, interview opportunties, or general comments.

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Interviews

Bill Heck talks playing Young Mickey Donovan, Jon Voight (Interview)

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Bill Heck as Young Mickey Donovan on Showtime's Ray Donovan Season 7 Episode 7 "The Transfer Agent" - Screenshot/Photo Credit: Showtime
Screenshot / Photo Credit: Showtime

Bill Heck spoke to The Natural Aristocrat about playing the scene-stealing Young Mickey Donovan on Showtime’s Ray Donovan and Jon Voight being generous with the character’s interpretation.

Any actor looking to learn the craft of conveying body language to make an audience believe in what you’re doing needs to watch Bill Heck’s performance on Ray Donovan Season 7 Episode 7 (“The Transfer Agent”). Young Mickey Donovan’s mini dance during a robbery spoke volumes about the character, a lasting immersive visual to frame on the wall.

During an exclusive interview with The Natural Aristocrat, Bill Heck discussed his fine-tuned work as young Mickey Donovan, Jon Voight sitting down with him on the second day of shooting, a Ray Donovan prequel show à la Better Call Saul, and even some preliminary thoughts on The Irishman’s de-aging tech! For those wondering about Jon Voight’s best tip to Bill Heck delievered in classic Mickey Donovan fashion…

“They got great writers, amazing story, everyone really knows what they’re doing… But every now and then before a take, just as they call action, tell yourself, ‘I don’t give a s**t!’ Throw it all out the window and do whatever the f**k you want!”

Interview with Bill Heck on Young Mickey Donovan:

Bill Heck as Young Mickey Donovan on Showtime’s Ray Donovan Season 7 Episode 7 “The Transfer Agent” – Screenshot/Photo Credit: Showtime

The Natural Aristocrat [Nir Regev]: Did Jon Voight personally comment on your performance? I’m curious what he thought of you playing young Mickey Donovan.

Bill Heck: Jon sent me a very lovely text after the episode aired, and it was a delight to receive. He was more than generous during the job. We were shooting up in the Bronx, and I think on the second day, Jon had the day off and came from the place where he stays during the season in Greenpoint (Brooklyn).

He came all the way up to the Bronx to sit down in the hair & makeup trailer with me and talk about the character and thoughts he had. And he was really curious to hear thoughts that I had. Jon was very generous and interested that I make my own choices, what views I had on the character, and really encouraged me to make it my own. As much as I could! You know, not to just do an impression. Which I’m no good at anyway! (laughs)

But it was amazing! It’s amazingly generous for Jon to come all the way up the Bronx and and sit with me to chat for almost an hour. We exchanged numbers and texted back a few times throughout the shoot. He really gave me permission. That is a real valuable thing to have as an actor. So he was lovely the whole way through. Then at the wrap party he said there with me and my wife [Maggie Lacey] for a long time. Just couldn’t have been more pleasant and more supportive. He was a real gem.

I thought the flashbacks could be a show in itself, something like Better Call Saul.

(laughs) We should put you in touch with the producers!

Bill Heck as Young Mickey Donovan leaving ‘Ray Ray’ and his ill wife in the middle of the night on Showtime’s Ray Donovan Season 7 Episode 7 “The Transfer Agent” – Screenshot/Photo Credit: Showtime

There’s just so much story there to explore, and it sounds like you’d definitely be willing to go back. Is that something you could see happening with Ray Donovan?

The impression I got from everybody was that they were pleased with how the flashbacks went generally. David Hollander, the showrunner, seemed pleased with how things went. I don’t know what their plans are for next season, by any explicit means. But I wouldn’t be shocked, I think they were definitely pleased to tread new ground in that way. And I had an interesting time, I wouldn’t be averse to any additional exploration, certainly!

Were you picked originally for this role because of your performance in 2013 film, Pit Stop? Even for anyone just watching the trailer for that movie, when you push off, there’s something instantly noticeable about your body language. It’s subtly reminiscent of the way you portrayed young Mickey Donovan. In general, as an actor you had great control of body language on Ray Donovan.

Thank you! That’s a really interesting parallel, I certainly wasn’t doing that consciously. I guess there’s a slight parallel in the characters in that they’re both trying to find their place in a world where they maybe feel a bit out of place. Or are not quite sure of how up to the task they may be. But no man, that was a long time ago that movie! It’s a project I hold dear. I’d encourage people to see that sweet little film.

What was it like working with Aidan Pierce Brennan as young Ray Donovan? Doing all those “Ray Ray” scenes. Those were some intense scenes, especially when Mickey’s stealing his wife’s money out of that can as Ray watches.

I mean on one hand, for me as a person being able to see what’s happening in that scene, it’s heartbreaking. But Mickey thinks he’s doing the right thing to a certain degree. Mickey maybe understands that it’s morally complex but he doesn’t pay attention to that side of things because he’s got a plan. And his plan is going to make things right.

Bill Heck as Young Mickey Donovan and Aidan Pierce Brennan as Young Ray Donovan on Showtime’s Ray Donovan Season 7 Episode 7 “The Transfer Agent” – Screenshot/Photo Credit: Showtime

Even if he’s deluded himself about how possible it is or what right is right or what’s best for his family. He’s moving forward in a way that he thinks is best for his family. So, in that sense even though he’s maybe got some conflicted feelings about how it may be perceived, he’s optimistic.

Bill Heck as Young Mickey Donovan on Showtime’s Ray Donovan Season 7 Episode 7 “The Transfer Agent” – Screenshot/Photo Credit: Showtime

Do you feel in pilfering the money, that maybe Mickey was trying to protect the Donovan family as well? From the aspect that maybe James Sullivan would do worse if he didn’t pay back something.

Absolutely he’s telling himself that, yeah. Mickey’s got rings of stories that he tells himself and he believes them! Mickey doesn’t imagine that he’s deluding himself. He’s not as far as he can see in the future. He’s going to handle it, you know? It’s like he tells Ray as he’s going out, ‘everything’s gonna be fine,’ right? So I think Mickey believes it or at least he knows that to survive, he has to believe that.

Young James ‘Jimmy’ Sullivan played by Austin Hébert on left and Young Mickey Donovan played by Bill Heck on right on Showtime’s Ray Donovan – Season 7 Episode 7 “The Transfer Agent” – Screenshot/Photo Credit: Showtime

That little dance Mickey Donovan does right when he’s about to rob that van, was that intentionally written into the script? Or was that you personally making an on-the-spot, Mickey influenced decision there?

No, I just tossed that in. Kyra (Sedgwick) who directed the episode and David Hollander, the showrunner, Jon, everyone included were extremely encouraging about being playful. It was a very available, open generous set. A very fun set and the character is a fun character.

Bill Heck as Young Mickey Donovan dancing during robbery on Showtime’s Ray Donovan Season 7 Episode 7 “The Transfer Agent” – Screen captured GIF Credit via Showtime

I asked a few of the people which episodes of previous seasons I should watch to get a decent idea of Mickey. Everyone was really open and interested in making me feel comfortable riffing, more than I have in past gigs. I felt like I got to stretch my arms and play a little bit, which was a real joy. I had an ample opportunity with this character to do so.

Yeah, I thought those little details really made the scene. Kind of like what they call reveries on Westworld, those extra touches that make a character feel real. I mean obviously there was that iconic teeth sucking thing that Jon Voight does often on the series.

There were a couple of teeth sucking scripted moments. (laughs) That was the only little characterization that they specified! I threw in a few more here and there, and replaced a few here and there. I’m not quick to recall which ones they used in the edit but that one they definitely zeroed in on. I think at some point here I was like give me a tooth suck right here. (laughs)

Bill Heck as Young Mickey Donovan ‘teeth sucking’ on Showtime’s Ray Donovan Season 7 Episode 7 “The Transfer Agent” – Screenshot/Photo Credit: Showtime

Do you feel you were able to study the character more through watching other Ray Donovan episodes, meeting Jon Voight in-person, or a mix?

It’s definitely a mix. Early on I had to rely on the episodes, I think maybe watched in the neighborhood of 8 to 10 in total. I had a dialect coaching session where I’d work with the material and met Austin (Hébert) who plays Jimmy (Sullivan) and we worked through some of that and just spent some time building on it. Playing around and then we actually shot the van robbery, that was the first thing I did.

Bill Heck as Young Mickey Donovan shooting back on Showtime’s Ray Donovan Season 7 Episode 7 “The Transfer Agent” – Screenshot/Photo Credit: Showtime

That was before I met Jon, the second day was when Jon came up and definitely he helped me expand on all the work I had done before. Just being around him you get a sense of how he’s carrying himself through the world generally, and how it applies to the work you see him do on the show.

I think maybe the most pointed tip he gave me was like, “They got great writers, amazing story, everyone really knows what they’re doing… But every now and then before a take, just as they call action, tell yourself, ‘I don’t give a s**t!’ Throw it all out the window and do whatever the f**k you want!” (laughs) That was advice to an actor that would definitely inform where the character came from and where he lives. So it was very helpful and fun.

Bill Heck as Young Mickey Donovan shoots back in vain on Showtime’s Ray Donovan Season 7 Episode 7 “The Transfer Agent” – Screenshot/Photo Credit: Showtime

What’s your viewpoint on a film like The Irishman where they used the same actors for flashbacks with de-aging VFX technology? Is there always going to be a place for other actors to play a major part of flashbacks or do you feel as the price of the tech drops the industry will become heavily reliant on it?

It’s a tricky one, my friend. (laughs) You know I have not seen The Irishman, though I’m certainly a lover of Scorsese and his crew. So I can’t comment on that directly. I certainly suspect it’s obviously something they’ll decide when it’s appropriate to use and when not. And I’m sure as you say it will shift as technology becomes more advanced and more affordable… I don’t know, I think that’ll come down to each individual artist.

Bill Heck Headshot – Photo Credit: Jeff Galfer

I find it hard to imagine that a community of artists, especially when you’re speaking about a collaborative art like filmmaking or storytelling in general… That most artists would opt to interact with something that is not available to them at the moment.

You know to try and create a story or human moments, that is sort of waiting on the computer, three weeks down the road. So, in terms of The Irishman they were still working with the guys there in the room. But I can’t really speak to how the de-aging tech effected the work as far as The Irishman goes.

I think the artist will always choose what’s most fun, what’s interesting to them. I think some will find the technology very intriguing and it certainly is in its way, and some will say, ‘I want the whole warm body.’

I think actually the evolution of that question will lie more with audiences. What they’re interested in receiving. How crossable the uncanny valley truly is… Because the people are going to decide if they’ll buy it or not. That’s a good working answer down the line one way or the other.

Are you going to appear in any other flashbacks in this season of Ray Donovan? Without any spoilers of course.

That’s it for me… At least for this season.

Bill Heck as Young Mickey Donovan fake surrenders on Showtime’s Ray Donovan Season 7 Episode 7 “The Transfer Agent” – Screenshot/Photo Credit: Showtime

You’re going to be in a new Netflix show called Locke & Key that’s arriving on February 7th. What kind of character will you be playing in that?

Locke & Key is based off a graphic novel series, written by Joe Hill and illustrated by Gabriel Rodriguez. It’s a series of books that is just gorgeous. It’s beautiful. It’s sort of family drama, meets horror film meets father legacy. In that series, I’ll play the father of the family that comes to live in my childhood home. I don’t know how much I can say beyond it…

I mean it’s all in the books for anyone and they’re well worth the read. The show looks amazing and all the people that I’ve worked with who’ve seen bits of it are extremely pleased with it. So I’d say it’s well worth the look this February.



I saw Liam Neeson at BUILD series and he joked around, then got a bit serious, about how theatre actors are just better actors than TV/Film-only ones because they get to perform every night. How they get more practice in and have to constantly adapt to a live audience. Since you’ve had experience on both sides of the aisle, on-stage and on-screen, what are your thoughts?

(laughs) You know one of the things I love about what I do, and brings me into context with what other people are doing, is that there’s no real template for it. There’s not one way to get where you’re going. Nobody’s ended up where they are for the same reasons. There are definitely skill sets that come with different environments and different experiences and different lengths of experiences.

Bill Heck Lead Headshot – Photo Credit: Jeff Galfer

There are certainly things that I know having come up in the theatre side and being trained in storytelling and acting… That I wouldn’t know had I just come up through the Television ranks in Los Angeles. But there are definitely things that that those guys know that I don’t. That I’ve had to learn later in life that I’m still learning.

I think it’s hard to stick a pin in any one answer about what’s going to make an actor better, more effective or not. Aside from maybe if they’re still curious, if they’re still interested, if they still feel like they have something to learn. Anyone that thinks they’ve got all the answers about anything, is more likely than not to not know anything.

Do you feel you prepare any differently as an actor than from when you first began? Do you have any kind of ritual every morning to kind of get into that kind of mindset or is it different for every role really?

Yeah it’s different for every role, every circumstance. Like if I’m doing a theatre gig, I have a pretty standard warmup just to get get into my body. But I switch it out based on what I have to do for a show and where I am. Mickey is an easy guy to get into physically to kind of shake your fingers up in the right way and feel it through your body (laughs) as opposed to maybe a more still character.

Bill Heck as Young Mickey Donovan schmoozing and buying drinks at the bar on Showtime’s Ray Donovan Season 7 Episode 7 “The Transfer Agent” – Screenshot/Photo Credit: Showtime

I don’t know if you’ve seen the comments on the Ray Donovan fan group on Facebook but a lot of people commented on your performance and the episode (“The Transfer Agent”). Do you read those usually? You should go check it out!

(laughs) Oh no, that’s dangerous man! I’m glad to hear it came off well though for sure.

Thanks Bill!

Thank you!

Bill Heck on Social Media:

Follow Bill Heck on Twitter, Instagram, Facebook, IMDB, and his official website.

Relive the memorable Ray Donovan Season 7 episode on Showtime Anytime or subscribe to Showtime on Amazon.

Be sure to check out The Natural Aristocrat’s interview with actress Sandy Martin on Ray Donovan’s Sandy Patrick and more coverage of the series on the Ray Donovan category section.

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Ray Donovan

Smitty’s big decision on Ray Donovan: Would you do the same?

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Smitty's Big Decision on Ray Donovan - Graham Rogers as Smitty in RAY DONOVAN, "Passport and a Gun". Photo Credit: Jeff Neumann/SHOWTIME.
Photo Credit: Jeff Neumann/SHOWTIME

Ray Donovan gave Smitty a look that would turn Medusa into stone on tonight’s episode after his family-altering decision was revealed. Would you have done the same in Smitty’s position?

This article contains spoilers for Ray Donovan Season 7 Episode 8 (“Passport and a Gun”).

A Donovan house divided against itself, cannot stand. Abraham Lincoln’s 1858 Senatorial run address said it best. Smitty made a life changing decision on tonight’s Ray Donovan episode that will polarize fans eternally in its rubble. He agreed to snitch against the family that welcomed him as one of their own, against the man that saved his life in the first place. In return? The debt for his freedom has been collected upon. Only instead of an envelope stock full of money or a vintage baseball jersey, his payment came through the use of a wire. One that will implicit Ray and remove Smitty’s crest off the Donovan family tree unceremoniously.

Daryll losing Jasmine [Keren Dukes] on tonight’s Ray Donovan chapter was ominous for what Smitty’s crystal ball holds. When Daryll decided to forgo allegiance to his own father and go against the house of Donovan, he ended up losing the love of his life. Even if Smitty doesn’t physically lose Bridget for going against the family, he will never have her trust again. Though Smitty whimpered to Ray about doing this to protect Bridget, if she had one foot out the door before, she’ll be out of the house and in the Taxi now. Marriage annulled. Finito.

Liev Schreiber as Ray Donovan in RAY DONOVAN, “Passport and a Gun”. Photo Credit: Jeff Neumann/SHOWTIME.

Ray’s look towards Smitty was one of pure disappointment more than surprise, a stare-down that’s silent yet deadly. Cutting deep into the very soul. Put yourself into Smitty’s shoes, would you have agreed to cooperate with Detective Perry [Quincy Tyler Bernstine]? On one side, without Ray Donovan, there is likely no Smitty. His story simply ends without an operation, right or wrong. There is no Bridget, no new chapters, only an epilogue. On the other side, in reality, most people would do anything do stay out of the big house. Even if it means ‘snitching’ to take the heat off themselves. Cutting a deal means getting to live the second chance at life Smitty was given, even without Bridget.

From Smitty’s perspective, he already faces a collapsing marriage with a wife that’s cheated on him, and now potentially long-term jail time for crimes he wanted no part of. Time lost by association. Would most people not take the exit door in that situation? What about you? Would you be able to look at yourself in the mirror? Turn your back on the house that clothed you and healed you… Would you bite the hand that feeds to save yourself?

Be sure to read The Natural Aristocrat’s interview with Sandy Martin on Sandy Patrick! Check out more coverage of Showtime’s Ray Donovan on The Natural Aristocrat’s Ray Donovan category section.

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Ray Donovan

Who played Young Mickey Donovan on tonight’s Ray Donovan episode?

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Bill Heck as Young Mickey Donovan on Ray Donovan Season 7 Episode 7 "The Transfer Agent" - Screenshot / Photo Credit: Showtime
Screenshot / Photo Credit: Showtime

Bill Heck did the honors of playing the Young Mickey Donovan on tonight’s Ray Donovan episode “The Transfer Agent” channeling Jon Voight to mesmerizing effect.

Bill Heck’s interpretation of Jon Voight’s Mickey Donovan on the latest Ray Donovan Season 7 chapter tonight was top tier, mimicking every detail right down to Mickey’s iconic teeth sucking. As if a show in a show, a Better Call Saul style prequel tease, Director Kyra Sedgwick and Writers David Hollander & David Bar Katz crafted a spectacular episode… Showing that Ray Donovan as a series is so brimming with life, it’s fit for two shows, running side by side.

Bill Heck’s Mickey Donovan was glowing with charisma, capturing the finely tuned elements Voight’s made famous with the character… Like dancing right before a robbery. Even the reveries, the inflictions of voice when saying ‘Ray-Ray’ or telling an officer ‘What a beautiful face!’ before knocking him out were restored like a priceless polaroid photo. The type Sandy thought she lost forever tonight. A Ray Donovan prequel series is ready right this second.

Alongside Bill Heck’s Young Mickey Donovan, was Young Ray Donovan played by Aidan Pierce Brennan, Ray Donovan’s mother played by Kersti Bryan, Young Jimmy Sullivan played by Austin Hébert, Young Claudette played by Princess Adenike, Young Larry O’Malley played by James Pravasilis, and Young Billy Doyle played by Peter Albrink.

Bill Heck is previously known for his roles on Pit Stop, The Alienist, and The Ballad of Buster Scruggs.

Was Ray-Ray’s memory a perfect facsimile after all?

A scar-worthy recall… Young Ray-Ray’s story was told just the way Ray Donovan recalled it while drunk at the family table when mourning in episode 2. Having to take care of his ailing mother on his own, while catching his father pilfering her money. At least from his vantage point. From what Ray saw, there’s no guessing around why he feels his father’s actions are unforgivable.

Bill Heck as Young Mickey Donovan on Ray Donovan Season 7 Episode 7 “The Transfer Agent” – Screenshot / Photo Credit: Showtime

What Ray didn’t know presumably, was the money was going to Jimmy Sullivan to potentially stop worse from happening. Mickey was at least 5 grand deep in the hole and there are consequences to that, ones worse than just “batting .200.” Perhaps, that 1 grand staved off an even larger tragedy temporarily.

It appears by the trailer for next week’s chapter following tonight’s credit roll, that Jimmy Sullivan isn’t much better than Mickey… Certainly, not in the way Ray Donovan seems to remember James. Maybe, there’s a lot more truth to what Mickey feels about Jimmy ruining his life than Ray’s proposition that it’s just about the money with Mick.

Needless to say, there’s a reason why viewers won’t be forgetting this flashback of the past anytime soon… Just like Mickey Donovan. Kudos to Bill Heck for making Young Mickey Donovan the centerpiece of any scene he was in on “The Transfer Agent”.

Be sure to check out The Natural Aristocrat’s Mickey Donovan focused articles Mickey Donovan is the only one to treat Daryll like family on ‘Ray Donovan’ and A father playing favorites leads to Ray Donovan tragedy: Brother vs Brother alongside more Ray Donovan coverage!

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