P.J. Soles is back as Marcy Taylor in new retro-themed horror, Candy Corn, and spoke to The Natural Aristocrat about the film, her life as an actress and everything in-between.
The Natural Aristocrat [Nir Regev]: There was a time in your life when you stepped away from acting. What brought you back to the horror film genre and ultimately playing Marcy Taylor in Candy Corn?
P.J. Soles: I was happy to do the fan conventions, which are wonderful, and spend time with my grandkids. I didn’t want to really work in movies anymore. I felt the conventions kept me connected to that part of my life. I was also busy doing other things, always toying with the idea of writing my autobiography… It’s just so hard to get going on a project about yourself! The first one to approach me for Candy Corn was actually Director Josh Hasty. He just made it sound so appealing and I liked him, we had a really nice conversation on the phone. But I laid it out! I said, “You know, I don’t work that great, I’m getting old, I might forget my lines!” It takes a lot of energy to pull it together. For me, making the moment real, being realistic on screen, and presenting a character that’s not you, not myself is important to me. But Josh convinced me!
What struck me first about Candy Corn was the beautiful cinematography. I always look at that, then I look at the characters and everybody was just painted amazingly. A great cast of characters! I liked the story and setting in the ’70s. I thought Director Josh Hasty was going for that retro look, which is appealing to me because it’s kind of familiar. [laughs] In terms of special effects, I thought they were beautifully done… If you can assign the word ‘beautiful’ to a ‘terrible’ special effect like someone’s spine getting ripped out. You can say they’re realistic! [laughs]
So, Candy Corn was the first ‘Yes!’ but I actually filmed it in December. I did Hanukkah first, then Killer Therapy, which is actually going to have a screening this October. There’s been no press about it, they’re keeping it on the down-low. In the horror community these days, they wanna keep things kind of quiet until the project has been fully edited, music added, and really pulled together.
When I was watching Candy Corn, there seemed to be a relationship in the air between Marcy and Sheriff Sam Bramford. Thus, I was anticipating some kind of interaction between Marcy and the Sheriff’s son, the lead antagonist as well. It felt like a natural fit. How do you feel about that?
Oh yeah, that would have been great! Well, it can’t happen in the sequel, if there is one. I live, he doesn’t! [laughs]
It’s nice to be in a horror movie and not get killed, right?
That’s actually my guiding principle now! I’m happy to play in any movie, I just don’t want to get killed. Not too many lines and no death scenes, that’s what I tell my agent! [laughs]
I recall an interview with VH1, where you mentioned wanting to ‘milk your death’ scene (as Lynda van der Klok) in Halloween for as long as possible to get screen time. Do you feel that’s what it takes as an actor to get time out there?
It’s your swan song. When you do that last scene on set, they say, “That’s a wrap on P.J. thank you,” and I don’t want that moment to come! (laughs) When I was going out of frame in Halloween, I suddenly realized I’m not going to be on screen anymore… So, I just kept doing the choked noises till John (Carpenter) yelled Cut!
Speaking of that era… You did a commercial for Pizza Hut Tacos back in 1979, how do you reflect back on that?
(laughs) Oh my God! You know what’s so funny about that? The shirt that I wear in that commercial is also the same pink-and-white stripped shirt that I wore in some of the promos we shot for Halloween. The promos were taken back at the casting offices by Kim Gottlieb and I had that very shirt on! Obviously, one of my favorite shirts. When I first saw that commercial I was like, “Oh my gosh, that’s the shirt in all the Halloween stills!”
I actually don’t eat beef and never have since I was a kid and heard beef comes from cows. Which made me sad. Every time I took a bite in the commercial I had to spit it out. There is a spit bucket for those of us who don’t eat what we’re advertising! (laughs)
That incident that happened on the set of Carrie, where you ruptured your ear drum… As an actress, did you have any regrets about doing the role at the time because of that? Obviously, it did lead you to getting a role in Halloween so things more than worked out. Do you have any permanent hearing loss from what happened on Carrie?
What? (laughs) Just kidding! It was so painful… It was unbelievably painful to rupture my ear drum which was caused by a fire hose that the fire marshal said is not a good idea to use. Especially, (Carrie Director) Brian [De Palma] wanted it to bat my head around back and forth. So, Dick Ziker, the stunt coordinator, said, “Oh man, that fire hose!” It was an accident for sure but it went full force and I literally just blacked out, went down and slid down the bleachers. The grips came running and picked me up. It was the most intense pain I’ve ever felt besides childbirth!
For six months, I went to the doctor and I got workman’s comp, they put drops in my ear. I can hear better than ever! I do have a little scar tissue there and I have go to my ENT from time to time but it didn’t leave any lasting problem. I’m definitely totally happy that I did the movie! Probably, would have rethought the firehose in retrospect. But it all worked out okay.
It’s a good effect and talking about the last time you see me on the screen now, that was actually my swan scene on the film. I didn’t come back to the set after that. When you see me wince in that scene, that’s actually the pain, the initial pain of the ear drum. So, it’s kind of strange but these things happen.
Are you surprised how things work out, that John Carpenter noticed you for the way you said “Totally” in Carrie? I was even half expecting you to say it in Candy Corn!
Yeah, we talked about it but that would have been too much! (laughs) People expect me to say, “Merry Christmas, Totally!” now! It’s become my trademark! I wear the red hat in Carrie, I say “Totally!” in Halloween, and I have that awesome wardrobe in Rock‘n’ Roll High School. #1 fan of The Ramones.
I told John [Carpenter] and Debra [Hill] that I was going to push it and try to say it every time I spoke, and if it gets annoying to let me know. But they never did. I’ve never made an accurate count actually. But a group of college boys told me at a convention that they have a drinking game where they take a shot every time I say “Totally” and they’ve never seen the end of the movie! I said, “I didn’t say it that many times!” (laughs) I think the real number is eleven someone told me but it seems like more than that.
Would you consider a role in a reboot of Rock ‘n’ Roll High School?
Reboot? When is that happening?! (laughs) I don’t know, depends who’s making it. Years ago, Howard Stern wanted to do it. But I think that was 30 years ago. (laughs) Maybe a sequel? What happened to all of us. Can you even find another band these days like The Ramones? I don’t think so! God, I wish! Don’t you wish? Where are the new Rolling Stones and The Eagles, where is this generation’s music? Come on guys! I’m waiting for it!
In the VH1 interview above, you mention not being a fan of The Ramones’ music until you met them. How come?
Well, no because I’d never heard them.
How did that happen?!
Well it was 1979, and I was listening to The Eagles, Jackson Browne, and Joni Mitchell all those people at the time. The Ramones weren’t on the radar yet in California. Maybe in New York which is probably why Allan Arkush, the Director, knew about them. But they were just starting, they were just coming aboard the scene, definitely well known in the CBGBs and all that in New York but not in Los Angeles. So, when Allan gave me a cassette and I put it in, I just really didn’t relate to it and I didn’t know what it was… But I said, “Alright, I’m their #1 fan!” (laughs)
It took me I would say, probably ten weeks to two years to really hear their music and understand what it was. Now, it’s just so commonplace and amazing! I really love The Ramones!
What happened at that Star Wars audition for Princess Leia with George Lucas?
We weren’t told what movies they were casting, we were just told there would be two directors at that time. This was back around in 1975. They weren’t really that known yet. I mean I think Brian De Palma had done a couple of movies but he wasn’t really an established director yet, at least not in the mainstream. Probably, again in New York City. So, I walked in, I had my red hat on! I had just moved to L.A. two weeks prior from Manhattan, where I had lived for five years and wanted to get into movies. I was living at the Magic Hotel in Hollywood, and my modeling agency sent me up on this audition.
Brian just looked at me and then looked at George and said I’ll put it on my list. Then he said, “Next audition bring your hat!” Then there were three subsequent auditions after that with the whole cast that actually ended up being in the movie. I don’t think he picked one person in all those three subsequent casting sessions and screen tests that didn’t end up in the movie. So, he had a very good eye I think for casting. A year later, we found out it was for Star Wars. But even then, it wasn’t what it was today. Star Wars took a while to catch on too at the time.
Was that the one role you wish you got?
No! Oh my gosh, I love my Norma! She wasn’t even in Stephen King’s book, there was no Norma in the Carrie book. But Brian De Palma had put the one line in, ‘Thanks a lot Carrie, ‘ when she blew the volleyball game in the beginning. I really was only on for a week. But after he saw the dailies for that… I had rainbow pins on my hat and I hit Sissy [Spacek] over the head with my hat.
The pins got stuck in her hair and I just yanked it out. So, it just looked so nasty! I apologized to Sissy but she said, “No, this is going to look great!” Brian laughed and thought it was so funny. He said she’s on for the rest of the shoot. I’m going to pair her up with Nancy Allen, the two of them are going to be my my little bad girls. [laughs] So, that was awesome!
You mentioned wanting to work on your autobiography earlier. What are some parts of your past that you’d like to be part of it?
I went overseas for all of my childhood. My father was from Holland and my mother was from Englewood, New Jersey and they met in Germany after the war. Her first husband was killed and she went over there to help with the rebuilding as a secretary. My dad was helping Jews escape Holland and he was captured and put in a Nazi work camp. He was released by the American army and brought to the same base as my mother and so they met.
It took a whole lot of circumstance for me to be brought into the world! I was born in Germany and then my dad got a job with a company where he had to open up branch offices for around the world. We moved to Morocco, Venezuela (Maracaibo) where I spent six years, and then Brussels in Belgium.
I went to a high school in the International School of Brussels and learned French and Spanish. I was really on a writing and language track rather than an acting thing. Although, I had always acted in a lot of the school productions but it wasn’t something I thought was even possible. I hadn’t watched a lot of movies growing up. I went to Briarcliffe College in New York state in the summer between my Freshman and Sophomore year, where I was going to transfer to Georgetown University in Washington.
My roommate was from the city and I stayed with her for the summer because my parents had transferred to Istanbul, Turkey. I happened to come across The Actors Studio and there was a sign, ‘We’ll trade running spotlight for auditing classes,’ so I ran a spotlight on Joanna Miles and Scott Glenn that whole summer. I met a guy who happened to be Joshua White of The Joshua Light Show.
He told me, “Girls, on the catwalk probably shouldn’t be wearing short dresses!” [laughs] He convinced me to quit college and get serious about acting, and start acting, so he got me an agent. I did commercials, I was on a soap opera and it got everything Rolling. But when I think of my autobiography, I’d start with my life as a child because I think that was enough of a life… Without anything else afterwards. But then on top of that there was this wonderful acting career!
Ellen Toland spoke to The Natural Aristocrat about Inside the Rain’s Emma Taylor and society’s inability to separate job title from human being leading to a culture of objectification.
Ellen Toland’s Emma Taylor in new film Inside the Rain is a quiet looking glass into the day-to-day treatment of commodified human beings. When the fantasy of body sushi and the gentlemen’s club ends and a person trying to resume their regular life off-the-clock begins. Yet, separating the person from their job title appears a distant hope, like spotting individual blades of grass outside. It’s for this reason, among many others, that Emma Taylor finds comfort in another person pre-judged by society. One born with bipolar disorder and treated as such at all times to personal detriment. Even scorned in suspicion for taking their medication due to repetitional bias.
Meet Ben Glass, Inside the Rain’s lead protagonist. Ben is largely defined by one act during Into the Rain, an attempted suicide via overdose. In turn, Ben is later accused of another such attempt when he’s spotted simply organizing his medicine for the week… Leading to an unjust arrest and potential exclusion from university. Thus, Ben Glass decides to make a film about all the events leading up to the arrest as a proactive visual defense. Better Call Saul’s Jimmy McGill once told Scholarship interviewee Kristy Esposito that, ‘You made a mistake and to them that’s all you’ll ever be,’ and it feels highly applicable to Inside the Rain’s plot. Much like Jimmy tried to drive Kristy to fighting forward even without the scholarship, Emma Taylor feels Ben can be advance forward in his life without going back to a University that preemptively shunned him.
This interview contains spoilers for Inside the Rain.
Interview with Ellen Toland on Inside the Rain’s Emma Taylor:Ellen Toland as Emma Taylor in film, Inside the Rain – Photo Credit: Art 13
Nir Regev [The Natural Aristocrat]: A good portion of TV & Film audiences are unable to disconnect the character they see on-screen from an actor in real life. During Inside the Rain, these fraternity looking, rich jocks bother Emma Taylor outside of the strip club she works at. Unable to separate the fantasy of body sushi from a regular person having a smoke after work. I was wondering how you feel about that?
Ellen Toland: Oh, that’s a really, really good question. I think that’s a feminine issue especially and it’s pretty ingrained in masculine culture. To objectify women, having a hard time separating the fact that they are not an object and something to toy with. I feel that’s what that scene really plays upon because those guys definitely don’t see a difference between a human being and their sushi tray.
And I think that’s a real issue with our culture in general.
It’s something that people really need to assess within themselves. I think that happens with people and titles of their jobs in the first place too. We don’t see past the title of what people do, and we make that their entire identity… And then treat them with that sense.
Do you feel Emma’s openness lends itself to accept a bipolar person intimately into her life despite his involuntarily asylum stay? There’s many that would have second thoughts after seeing someone forcibly institutionalized but you decide to donate Ben $5,000 dollars for his student film.
Yeah, I feel Emma’s seen a lot of different types of people and has a deep well of empathy & understanding for people. She kind of sees that with Ben but I also think it’s matched with Ben’s acceptance of her and building her up. Which I don’t think she’s had a lot of in her own life. It’s the perfect combination of both of them meeting each other exactly where they’re at, building each other up, and ultimately eventually move on in their own lives.Ellen Toland as Emma Taylor, Aaron Fisher as Ben Glass in film, Inside the Rain – Photo Credit: Art 13
What was it like shooting the scene where Emma’s having dinner with Ben’s parents and mentions she works at a strip club?
I think my choice going into the dinner was that Emma hadn’t been introduced to a lot of parents and treated normally. She’s meeting their possible judgment by just really owning it and trying to almost test them out too and see how they’re going to react. When it’s met with genuine acceptance as well, she’s pleasantly surprised. Shooting that scene was really fun and the restaurant was very sweet to us as well, we ate a huge meal! [laughs] That was great, never bad to get to eat on set, you know?Catherine Curtin as Emma Glass and Paul Schulze as David Glass in film, Inside the Rain – Photo Credit: Art 13
I saw an interview with you and Aaron Fisher where he said, ‘During auditions it just kept going back to Ellen, Ellen, Ellen!’ What do you think was that X-Factor won you the role?
Ultimately, I feel Aaron and I had a pretty natural chemistry. One that you can’t really manipulate with actors necessarily. All the pieces fell together. We really had a good energy together and you really need that in a romance. (laughs)
Inside the Rain left things a little bit open ended for the ending. Why do you feel the choice was made not to send the audience home feeling ‘warm and fuzzy’ with a full happy ending?
I mean I think it was also being realistic to what really would happen in real life. Aaron was also basing the film off of his own life. He wanted to play to the truth of that. And I think they both needed to go and own themselves. They’d been given that confidence, and that’s what’s so good about the flash forward at the end.
It showed that that’s why Ben made that choice, that he really could move forward and ended up with the person he was meant to be with. We have people in our life all the time that are just chapters that are meant to lead us to end of our own story, it doesn’t make those chapters any less important.Ellen Toland as Emma Taylor, Aaron Fisher as Ben Glass in film, Inside the Rain – Photo Credit: Art 13
Inside the Rain feels so much like art imitating life. I have to ask… Is Emma Taylor the real name of the girl portrayed in the film?
Oh, no it’s not her real name! (laughs) It’s loosely based off of someone but it’s definitely not the same name! There’s elements of Aaron’s life in the film, I’d say 60/40 but the film is loosely biographical. Like the last ten years all stirred around into one movie.
Do you feel being aware that Aaron knew this person impacted your interpretation in any way? Or did you still approach the role in the same way you would any other?
You think about it for sure but you also want to create your own vision of it and own that. Aaron and I definitely talked a ton about Emma but he gave him lots of room to make my own decisions. Aaron’s an actor’s director!
There was kind of a frugal moment toward the end at the fast food joint where Emma is adding everything up on her head. It seemed based on those sexually fueled videos she was making outside of her main job and the $5,000 donation that she’d be rich. How do you feel about that scene?
That scene is trying to say that she’s working really hard to get where she is, and knows the worth of a dollar. Feeling at the same time that Ben hasen’t had that kind of struggle. I think you can be making a lot of money and still be frugal. You remember how hard it was to get there.
Why do you feel that despite ‘red flags’ being present, Emma decides to donate the money for Ben’s film? Did Ben’s dream become Emma’s dream and intertwined at that point?
Yeah it all becomes mixed up. I think it also becomes her dream. Emma sees this person that she cares about and understands how important it is to him. There was no too big of a feat to make that dream come true.
Would you like to reprise the character of Emma Taylor potentially in another film?
I love Emma! She’s so brave and strong, I really adore her. If there is an Inside the Rain: Part 2, sure. I mean Aaron and I are really good buds, I love working with him. I’d love to work with him again, of course!
How much of yourself do you see in Emma as a character?
I think that any person you play, you bring an element of yourself. There’s things that are different, there’s things that are the same but I don’t think it’s necessarily conscious. You just bring as much of your research on their perspective of the world as you can. Whether that’s the way you move or even read things. Maybe there’s pieces of yourself in that. It’s a weird little mixed up bag.Ellen Toland as Emma Taylor, Aaron Fisher as Ben Glass in film, Inside the Rain – Photo Credit: Art 13
I saw you studied over in RADA, one of the best acting schools in the world. How do you feel it established your foundations as an actress?
It was amazing! I loved it, some of the best professors I ever had were there. It was something I’d always dreamt of doing and I loved London. It was a really important step in developing my craft. Everything that people say about it… It’s all true! It did not disappoint.
Read more Film and Television interviews in The Natural Aristocrat’s Interview category section. Be sure to watch The Natural Aristocrat TV with Host Nir Regev interviewing leading talent in the entertainment and sports industry on-camera!
Draft picks in fantasy sports act as surrogates to the type of person you really are. “Well, they’re my home team. What’s a man without loyalty?” – Mustang’s [Domenick Lombardozzi] double entendre in Cold Pursuit.
This article contains spoilers for 2019 film, Cold Pursuit.
Around the 34:15 minute mark of Cold Pursuit, there’s a seemingly innocent but meaningful conversation between ‘senior enforcer’ Mustang [Domenick Lombardozzi] and his boss’ young son Ryan Calcote [Nicholas Holmes]. Mustang requests advice from the prodigy-like youngster for his Fantasy Football league… Demoralized by constant losing. “I can’t… I can’t win a game.”
Ryan inquires if Mustang is playing for money, testing the waters as he examines the squad. Mustang confirms and the youngster immediately notices a pattern, “You have four Cleveland Browns on your team.” In effect, Mustang has placed all his eggs in one basket, hedging his bets entirely on the whims of one battalion for victory. Mustang responds, “Well, they’re my home team. What’s a man without loyalty?” In essence, clearly identifying what kind of person Mustang is and gives him away. Loyal to a fault, always going down with the ship… Even when there’s a life raft within fingertips’ reach.
As such, Ryan tells him, “I can’t help you,” sensing Mustang to be a lost cause. If Mustang had approached his fantasy football team in a black and white, unattached, purely mathematical stats-based manner… He’d likely be on the road to gridiron victory already. However, Mustang let the emotional attachment of his home team get the better of him to personal financial detriment. He was willing to sacrifice both his wallet and perception as a skilled drafter to colleagues/friends in order to appease players he’d never even met.
Thus, being accepted as a Cleveland Browns supporter by some invisible corporate eye is more important to Mustang than any kind of personal gain. This mentality equals a favorable feeling to losing ‘honorably’ as part of a team, instead of ‘dishonorably’ winning as an individual. Without giving too much away from the the film, Domenick Lombardozzi’s Mustang would go on to experience loss in other areas of life than fantasy football in Cold Pursuit. It raises the question, at what times is social acceptance more important than individual success?
Watch the memorable acting scene featuring Domenick Lombardozzi & Nicholas Holmes in Cold Pursuit, now streaming on HBO Go and available to rent or buy on Amazon. HBO is available as a Channel on HBO as well for non-cable subscribers.
Be sure to read Requiem for Mac: How Domenick Lombardozzi won Ray Donovan fans on The Natural Aristocrat.
La Orquesta Sinfónica Nacional de México (OSN) will be performing two nights of Stanley Kubrick film music titled ‘Kubrick Sinfónico Reloaded’ or Kubrick Symphonic Reloaded at Palacio de Bellas Artes.
The National Symphony Orchestra of Mexico (La Orquesta Sinfónica Nacional de México) will be playing a full range of iconic pieces from Stanley Kubrick’s films on Friday, March 6 (8 pm) and Sunday, March 8 (12:15 pm) in Mexico City’s Palace of Fine Arts (Palacio de Bellas Artes).
According to INBAL (Mexico’s National Institute of Fine Arts and Literature), eleven compositions will be featured total from Barry Lyndon, A Clockwork Orange, 2001: A Space Odyssey, The Shining, and Eyes Wide Shut. * “Pomp and Circumstance March No. 1 and 4” are counted as one piece for the above INBAL link’s number of 10. José Luis Castillo will be conducting/guest directed the show with Juan Arturo Brennan narrating the event with the history of each piece. The presentation will be part of OSN’s ‘Programa 5’, or fifth program of the season.
The Full Program:
A Clockwork Orange – Beethoven/Wendy Carlos (version for film) – “Suicide Scherzo (Ninth Symphony, Second Movement, Abridged)”
A Clockwork Orange – Edward Elgar – “Pomp And Circumstance March No. 1”
A Clockwork Orange – Edward Elgar – “Pomp And Circumstance March No. 4”
A Clockwork Orange – Henry Purcell/Wendy Carlos (version for film) – “Music for the Funeral of Queen Mary”
Barry Lyndon – Franz Schubert – “German Dance No. 1 in C major”
Barry Lyndon – Franz Schubert – “Piano Trio in E-Flat, Film Adaptation of the Opus 100 2nd Movement”
Barry Lyndon – Frederick The Great – Hohenfriedberger March *
José Luis Castillo es uno de los directores y compositores más destacados y activos en el panorama musical actual. Es considerado como uno de los especialistas en el repertorio moderno y contemporáneo.#KubrickSinfónicoReloaded
Viernes 6 y domingo 8 de marzo, 2020@PalacioOficial pic.twitter.com/XlOxqPlShR
— OSN México (@OSN_MX) March 5, 2020
Kubrick Sinfónico Reloaded: Ticket Availability
Tickets for the event appear sold out on Ticketmaster for Sunday’s event and no longer available online for tonight’s performance. If you’re a local resident, your best bet might be to go to the venue’s box office.
Juan Arturo Brennan, guionista, productor, realizador y conductor de programas culturales de radio y televisión. Crítico de música y colaborador de otras publicaciones, periodista y traductor. #KubrickSinfónicoReloaded
Viernes 6 y domingo 8 de marzo, 2020@PalacioOficial pic.twitter.com/KKQEYRAzQG
— OSN México (@OSN_MX) March 5, 2020
More Stanley Kubrick Coverage at The Natural Aristocrat
Be sure to watch The Natural Aristocrat’s exclusive one-on-one interview with Stanley Kubrick’s daughter Katharina Kubrick and view a walking video tour of the ‘Envisioning 2001″ exhibit at NYC’s Museum of the Moving Image.
Footage of the entire ‘Envisioning 2001′ press presentation featuring a Q & A session with Katharina Kubrick is also available!
The Natural Aristocrat examined the greatness of Barry Lyndon’s use of Handel’s ‘Sarabande’ duel music and how it layered the film. Read more Kubrick articles on The Natural Aristocrat’s Stanley Kubrick category section.