‘Fireworks, Should We See It from the Side or the Bottom?’ is a bittersweet coming of age film about a pool race by two boys competing...
The Quintessential Quintuplets Movie is an elegant reminder that love is selfish. For you to float on cloud nine & walk on air, someone else must...
Director Mayu Nakamura spoke to The Natural Aristocrat® about her episodic feature film, ‘She is me, I am her’. Perhaps, no scene in 2022 cinema will...
Naoko Ogigami spoke to The Natural Aristocrat® about directing Riverside Mukolitta, a film that takes us through the looking glass to the reality of Japan’s poor...
Japan Society NYC will present ‘The Female Gaze: Women Filmmakers from JAPAN CUTS and Beyond’ film festival this November. Full screening schedule below for the ACA...
Madeleine Morgenweck spoke to The Natural Aristocrat® about portraying a relationship torn by a cycle of substance abuse, relapse, and broken dreams in suspense film, ‘To...
Lydia Mackay spoke to The Natural Aristocrat about voicing Kyoko Honda in Fruits Basket -prelude-. Spotlighting the shared experience of widows like Kyoko. This Lydia Mackay...
Director Hirokazu Kore-eda’s After Life will screen at Japan Society NYC on August 12, 2022 at 7:00 pm in-person. The film is part of Japan Society’s...
Goodbye, Don Glees! is a surprisingly deep and richly layered journey into the curtain call of teenage youth. This Goodbye, Don Glees! review contains spoilers. The...
Hannah Emily Anderson spoke to The Natural Aristocrat about portraying domestic abuse survivor Joy in important film ‘Dark Nature’. This interview contains mild spoilers for Dark...