Disgaea 4’s Carrie Savage spoke to The Natural Aristocrat at Anime NYC 2019 about the title’s remastering and finding beauty in voice acting.
You could pick out Carrie Savage’s unique, sugary sweet sounding voice from across the room. Disgaea 4’s voice of Vulcanus/Artina was already doing theater starting from grade school on. Flash forward to a couple of Film and TV execs in LA telling her she sounded ‘too young and innocent,’ during auditions, and Carrie, undeterred, decided to make the voice work for her. It’s no surprise industry powerhouses like Funimation and New Generation Pictures would take notice of her talent.
There’s something charming in Carrie Savage’s delivery which fans just getting into NIS’ Disgaea 4 Complete+ will no doubt enjoy. “Mr. Vampire!” A voice that’s easy on the ears you could say. As you would expect from Disgaea’s Celestia.
Watch the full interview with Carrie Savage above or read the transcript below:
The Natural Aristocrat [Nir Regev]: Disgaea 4 Complete+ was released recently, how do you reflect on it and Artina/Vulcanus eight years later?
Carrie Savage: That was one of my favorite games to do, I loved doing it!
What was it like exploring the whole relationship with Valvatorez? Were you recording with Troy Baker in the studio?
No, it was one at a time. I remember it was my first time working with Keith [Arem], PCV, and Valerie and I just love them. They’re awesome and I was so excited to work with them.
What does it mean to you that a whole new generation of fans are going to hear your voice again?
I didn’t even think of that, that is awesome! (smiles) That’s exciting! Because I feel so much of the stuff I’ve done is so much older now compared to the newer stuff. But the old stuff, some of it is amazing! Like the one you mentioned with the angel, Haibane Renmei. (smiles) I’m excited for a younger generation to come in and be watching my work.
What kind of rituals do you have when you go into a booth? Do you have something you do every time, where if you don’t do it you feel off for the rest of the day?
Yes, this kind of applies to my theater auditions also. It’s different in New York though. When I was in LA, I used to have these these certain CDs that I would sing with in my car to warm up my voice. And then I developed like this list of about twelve characters. Some of them were from classes I took and some of them were actually characters that I did.
I would go from highest to lowest and I would do all these little snippets of all these characters in a row. So, that I could warm up the softest kind of voice, (does voices) down to the low part.
I did that, I sang, and I used different parts of my voice when I was singing in different placements. And then I would do all the characters because the way they speak was different, the placement was all different. Like, if I’m going to play an old lady, it’s going to a different place in my whole system. I used to do that in my car and I had a lot of time because it was LA and there was traffic.
In New York, the difference is I have to do that in my bathroom and I don’t have as much time! So, I don’t get to do all the singing with it. And I have 30 to 45 minutes of stretching that I also do, prior to going to any audition or voice work. Which is based on my dance classes.
What do you do to protect your voice?
In theater school, I learned about how to free up the voice and how to support it so that you’re not damaging things. How to keep the vocal apparatus free. For me warming up helps. Using different placements helps. Some of the ways that I learned to warmup in school, I still use some of those tricks to warm up my voice.
If you’re working on a character like initially Mokona [Modoki] in xxxHolic/Tsubasa: RESERVoir CHRoNiCLE. (does voice) You have to find ways to make it easier on yourself. It’s placement.
You have a really unique speaking voice! Do you feel you were born to do this pretty much? Where you pushed into this career or steered into it somehow?
I’ll tell you what happened. I was a theater actress, I still am. But I started doing theater when I was in grade school. And when I got into High School and after High School. Actually, I was going to be a Doctor, I was not going to be an actor. But when I realized that I loved acting so much that I couldn’t give it up for pre-med, and I started acting again… So many of the directors I knew would tell me after I auditioned for things, “We can’t cast you because you sound too young and innocent!” So, it would be like characters who commit suicide or who are like really depressed.
Then a film I did later, I auditioned for the crazy street chick. And they’re like, “You would’ve been our first choice. But you just do not come across as… You’re just too innocent for this street chick!” I was younger too, you know? So, they wrote a part for me in that which totally fit and was really cool.
My character was the more super innocent, didn’t know anything type. For a couple of years while I lived in LA, I had two of my closest friends keep telling me I should do voiceover work. I didn’t know what that was, I was like “What’s that?”. Finally I was out auditioning for Film and TV, and my agent had arranged a specific audition. He said that these people were having a really hard time finding the person that they wanted for this role. I was around late 20s at that point.
I went in and I auditioned, the Producer and the Director were sitting there and they go, “She is exactly what we’ve been looking for! But we can’t cast her because she sounds like she’s 12…” Right in front of me. That was when I was like, “Fine. I’m going to start making this voice work for me!” That’s when I decided to do voiceover work. I’d been toying around with the idea like wanting to do a demo before but it was only because I met somebody who did voiceover work. But I still didn’t know a lot about it.
But that’s what really pushed me into it, I was like I’m not getting any more of this, ‘We can’t cast her because she sounds too young!’ (laughs)
What was that first voice acting audition like? Many voice actors have told me that they’ve been really nervous or they thought they messed up but they actually got the role.
Actually, my first audition was for a show called 3×3 Eyes. And that character was a little girl and her voice was high but then she had to talk like this (does deep voice). I could do that but I didn’t have the mastery of that at that point. I hadn’t worked on that lower part as much, so I didn’t get casted in that. But I don’t remember being that nervous, except for just trying to understand how this character was going from that high voice to that low voice.
It was two years later that Jonathan Klein and New Generation Pictures and his partner Reiko [Matsuo], they remembered me from that audition and they called me back. I auditioned for Strawberry Eggs very eyes and another show called Dangaizer 3 and got those.
I don’t remember being any more nervous than anything else. I just remember being excited and having fun, and wanting to pour my heart and soul into the voice into the character. That’s just like I do all the other auditions I kind of approached it exactly the same way.
A voice actor [Todd Haberkorn] mentioned to me in an interview earlier that he tries not to ad-lib lines because he doesn’t get any writing credits for that. That the credits go to the person who wrote the episode. He essentially said he ‘didn’t want to coin a popular phrase that he wouldn’t get writing credits/royalties for.’ How do you feel about that and ad-libbing in general?
I can understand that. For me, that’s not the case but also, I script adapt for a lot of Anime and Korean Animation. So, it doesn’t bother me to ad-lib something or change the line at all. In a lot of auditions, like a lot of commercial auditions or mainstream animation auditions, they want you to ad-lib. And actually I find I’m not as good at that as I would like to be.
It’s different when you’re script adapting because it’s kind of your focus. But when you’re auditioning or whatever the things don’t come to me as quickly. So, I actually wish I was better at ad-libbing. I don’t have a problem with it.
Do you like working away from the mic? Behind the screen so-to-speak doing scripts and directing.
I prefer acting over everything! I do the script adapting because as a voice actor especially in the Anime world, we don’t make enough… Most of the time to pay the bills, especially I found that to be the case in New York. What I do like about the other stuff is that exercises a different part of my brain.
I think it’s the part of my brain that I would have used had I studied medicine and been a Doctor. It maybe gets a little left out a bit when I’m acting because the acting all comes from my heart! (smiles) It’s from my gut. You know what I mean? Because you don’t want to overthink things when you’re acting.
I’d still prefer the acting over everything… And the dancing. I love dancing! And singing! (laughs)
You mentioned wanting to be a Doctor, I’ve read you’ve done a lot of charity work in other countries as well. I was wondering if you’d elaborate?
When I was eight years old, I felt like I was meant to be a Doctor/Missionary in Ethiopia. To bring medicine to kids who were starving and didn’t have access to medical care. That was my heart.
Who are some of your biggest acting influences do you feel?
When I was younger and in school for the Arts, a teacher mentioned Meryl Streep to me and I didn’t know who she was at the time. He’s like, ‘You need to go look her up! I watched the dingo one [Evil Angels] and I think I watched Kramer vs. Kramer. I was like, this woman does exactly what I’m trying to do the way that I approach acting! That’s the way she does it! And she’s completely successful at it, she completely changes, you wouldn’t recognize her from one film to the next. So she was a big influence because she successfully does the type of acting you’re supposed to do.
And also Anthony Hopkins, for the same sort of reason. Those two are my biggest influences. There are other actors that I love and there are other actors that have kind of gone in that direction. Movie stars I should say, when they first started being in stuff, they were not so different from role to role but they were very enjoyable to watch. I’ve seen some of those people actually start changing from role to role and that’s the kind of thing I love! When someone is so immersed in a part that you don’t recognize them.
But I value the other side of it too. I value the side of acting of just using everything. I mean I think as a person you have everything in you anyways. But I’m starting to realize that just using yourself, is great too! You know what I mean? So like, I’m very unique and quirky, and that can be an asset too!
In Haibane Renmei, I mean I have other shows that are my big favorites that I love too like Shin Chan. Like okay, she [Penny] swears and I don’t. I try not to swear in her life. So that was really fun because it was part of my job!
You don’t have like a swear jar or something do you?
No, no (smiles) and New York has ruined me, I got to admit. And theater school ruined me a little bit. I just don’t want you to think that I’m not remembering my other roles because I love them all.
Do you have a personal message to fans?
In light of Haibane Renmei, it’s very important that the characters in Haibane Renmei remember their dreams that they had when they were born. So, I’m always writing, “Always Remember Your Dreams.”
I feel very strongly, that what you most want to do in life is what God wants you to do. And so my message would be, if there’s something you want to do that’s very strong inside of you… Don’t give up. Put your heart and soul into it, and try to do it.
Follow Carrie Savage on Social Media
Carrie Savage was nominated for ‘Best Female Lead Vocal Performance in an Anime Feature Film/Special’ in 2015 for her role as Hakufu Sonsaku in Ikki tousen: Shugaku Toshi Keppu-roku at the Behind the Voice Actor Awards (BTVA Awards).
Luci Christian spoke to The Natural Aristocrat about FunimationCon 2020, voicing fan favorite Ochaco Uraraka, the strong reception to My Hero Academia: Heroes Rising, and the art of voice acting.
The Natural Aristocrat : I feel Funimation took one leap forward with FunimationCon, traditional convention panel schedule and all, just virtual. It’s looking more and more like this will be the wave of the future with the Coronavirus (COVID-19) pandemic. What are your thoughts about FunimationCon 2020 and the possibility that this could be the only way to hold conventions from now on?
Luci Christian: I’m with you I think it’s really cool they’re doing this. To be honest, I think it’s a bittersweet time. Right? I mean, maybe this is the way of the future, it’s definitely the way of the present. I love that companies are having to be creative in figuring out how to engage with fans in ways that we’re used to. Getting to have something of a personal experience with these properties and with the talent. And with each other!
That’s the point of the convention, getting to talk about the thing we all love! So, I love that Funimation thought of this and went online. They really went creative with it, making different rooms simultaneously of fun stuff. But I will say, for all of us, that it’s a little bleak to not be in the room, to not be taking the road trips, to not be getting to hug each other. It’s a lot. It makes the overtures that the various companies and people are taking to put something together virtually that much sweeter… But it’s also sad! (laughs) It’s both!
How did you feel about the overall reception to the cinema debut of My Hero Academia: Heroes Rising?
So, a couple of thoughts about that… I was at the L.A. premiere for the film and it was one of the most magical & special nights of my professional career! And I’ve been around for a while! (laughs) But there was nobody in that room that wasn’t just ecstatic to be there. It was so freaking fun and lovely!
The reception to the film was as awesome as can be. I heard many people say how anime is so much more mainstream now. And it is because of shows like this (My Hero Academia) that are so accessible. Particularly the English dub of the movie gets so much love, it’s such an honor to be part of it.
Luci Christian voices Ochaco Uraraka in My Hero Academia – Screenshot Photo via Funimation / VRV / Crunchyroll
How do you compare recording for the film to dubbing the regular series?
It wasn’t totally different. It was a little weird because I hadn’t read the manga and there were things in the movie that I didn’t know yet! And when we were recording the movie I was like, “WHAT?!” It was exciting, I really loved that the movie showed how much stronger they’d become. How their training has really paid off. And not to toot my own horn… But I didn’t even know she (Ochaco) was that strong!
You’ve played so many characters throughout the years from My Hero Academia’s Ochaco Uraraka to Yuki Yoshino on Food Wars! How do you craft the personalities and voice inflictions of your roles past what’s on the script?
Well, I’ll tell you… This has all been a happy surprise! I don’t know I’d be in this industry for this long. When I first got into it, I was just an actor. When I approached the characters, I asked the same sort of questions as in traditional acting. “Who are they? How old are they? What are their primary objectives?” And the director will fine tune you. ‘I think he could be played a little older. Or I think we can go a little further with that scene.’
Are there techniques or habits you’ve practiced throughout your career to protect your voice?
There are a couple that I always rely on. One of them, is this sounds like such an old woman thing to say but I try to get enough sleep. It makes a huge difference in how much you can push yourself. When it comes to yelling, there is a way to protect your voice when you yell by kind of making an H sound at the beginning of your scream. It’s kind of a weird thing, a little trick. But it helps protect your voice so you don’t rip it up.
Luci Christian voices Ochaco Uraraka in My Hero Academia – Screenshot Photo via Funimation / VRV / Crunchyroll
How much do you enjoy the script writing process in comparison to voicing the character of a preference for one or the other.
I haven’t done anime writing in a while but I loved it! I know how to look at the words now that would best fit the animated mouth flaps and be like ‘Oh, these are the words that could go there.’ I really, really enjoyed it! Obviously, I’m an actor first, and I will always be an actor first. But a lot of us are good at many, many things. I feel I’m lucky to have been blessed with the opportunity to do lots of different things.
Certainly, there’s been times now working from home where they’ll call and tell me, “Hey, I know you know how to change the line a little bit to make it fit!” So, I guess I do still write a little bit. But mostly, we all sort of informally work together to make the best product.
Luci Christian voices Ochaco Uraraka in My Hero Academia – Photo Credit: Funimation
Follow Luci Christian on Social Media:
– Check out the panels and highlights of FunimationCon 2020 over at Funimation.com.
My Hero One’s Justice 2 Art – Credit: Bandai Namco
Be sure to read The Natural Aristocrat’s ‘FunimationCon 2020’ interviews with AEW’s Kenny Omega on My Hero Academia and fellow My Hero Academia voice actor Christopher Wehkamp on Voice Acting (MHA’s voice of Shota Aizawa)!
Christopher Wehkamp spoke to The Natural Aristocrat about FunimationCon 2020, voicing Fire Force’s Takehisa Hinawa, the reception to My Hero Academia: Heroes Rising, dubbing My Hero One’s Justice 2, and fan favorite Miles Edgeworth.
This interview contains mild spoilers for Fire Force.
The Natural Aristocrat : Funimation took the initiative of making this virtual convention, it could very well be the future of all conventions. How do you feel about the digital concept of FunimationCon 2020 as a blueprint for other conventions moving forward ?
Christopher Wehkamp: Honestly, I’m really excited about it. I like the fact that especially during this time that we’ve got a chance to come together and really just celebrate anime. I think that’s the aspect I’ve missed the most about going to conventions. I think I did about 17 conventions last year, 17 or 18, and this year I’m really missing it. A lot! So, yeah I’m really excited that Funimation is getting involved in that. Especially, bringing a lot of really exciting content experiences.
Do you feel the pandemic has heavily stifled your your vocal work or are you able to work from home?
Yeah, fortunately a lot of the studios have really embraced the idea of working with Actors who have home studios like myself. I’ve been very lucky in that aspect of it. Being able to work at home, kind of brings its own challenges… But getting to continue to work with these characters and still turn in auditions every day.
There’s a memorable scene in Fire Force where Takehisa Hinawa nonchalantly shoots Shinra Kusakabe for ‘idle chatter’. Shinra naturally thinks he’s hurt badly at first and is beside himself. What was it like to record for Hinawa in that moment? It was undoubtedly fun delivering that line.
I mean it was really good! Takehisa Hinawa is kind of a disciplinarian and that particular scene really showed his disciplinarian side coming out. It was fun I think because the character of Shinra and also the audience don’t quite know what to expect. At that point you don’t know exactly exactly how his powers work. It ends up being a really comedic scene. I loved it.
I got to watch it from the perspective of being ‘in the know’, being the character that knew what was happening. So that was really cool, I love working with Derick , the English voice of Shinra. I’m super duper excited for the debut of Season 2.
Takehisa Hinawa from Fire Force – Photo Credit: Funimation
What did you think of the reception for My Hero Academia: Heroes Rising cinema release as the voice of Shota Aizawa?
Oh wow, I got to go to the to the L.A. premiere in February, before the whole world was shut down. It was incredible. Getting a chance to be there with the cast and a lot of the cosplayers and fans showed up for it… It was just a once in a lifetime thing, one of the coolest nights of my life.
What made it all the better was the movie being fantastic! It’s got great animation. The story is really riveting. Some of the scenes are the best action scenes I’ve ever seen in an anime, period. To get to be a part of that, it’s an incredible honor! A great privilege.
Shota Aizawa and Deku Izuku Midoriya in My Hero Academia – Screenshot photo via VRV / Crunchyroll
You’ve voiced a lot of unique personalities throughout the years, my personal favorite being Miles Edgeworth. How do you approach crafting the fine details of a character beyond the script?
Thank you so much! It really does depend on the source material of the character, especially when it comes to dubbing anime. When I when I get to approach a character that already exists, in the case of Miles Edgeworth, I want to be pretty immersed in the context of that world and the game. Fortunately, that one worked out really well because I had originally played Phoenix Wright: Ace Attorney in 2005 on Nintendo DS. So, I was already pretty familiar with the game, the world, and certainly was already familiar with Miles.
Miles Edgeworth in Ace Attorney – Screenshot photo via VRV / Crunchyroll
And from there you’re just you’re trying to craft an experience that entertaining and palatable to a western audience. But still feels very authentic and in the case of Ace Attorney, very comedic. There’s a lot of really funny, goofy moments especially between Phoenix and Miles. Where they’re kind of playing off their rivalry. So really playing that up! Of course, Director Kyle Phillips did a fantastic job of loving the source material and putting us right where we needed to be in any given scene.
When you talk about gaming, you voiced Shota Aizawa in My Hero One’s Justice 2, how do you compare recording lines for it compared to the anime? Is it a lot different day-to-day? I know you have to do all those screams or is that about the same?
No, you’re right. That’s actually one of the big differences! A lot of the reactions that you do as part of a video game are a very different flavor of voice acting than you typically get in a booth, doing like an anime dub. Although anime dubs, English dubs certainly have their fair share of those sorts of reactions. But of course with a video game, you’re really recording two or three takes of every single one. So, that you can sort of have a palette of sounds to work with.
My Hero One’s Justice 2 Art – Credit: Bandai Namco
I would say one of the biggest differences with Shota Aizawa, was we struggled sometimes in fight scenes specifically or in high tension moments because he’s so cool and laid back. (laughs) The challenge with him often times is to bring intensity, while also sort of remaining in that place of stoicism or coolness. There’s probably not a better word for it than cool!
The director and I were doing our best to sort of match what was already existing in the Japanese performance but also make sure we were staying true to that ethic of not getting too big with it. Finding the place where Aizawa exists most authentically I think. And that was fun! Doing the video game is a lot of fun. It’s much more high energy than he normally is in any given episode of the show. Getting the chance to do that was just really cool, really special.
How have you protected your voice over the years? I know a lot of voice actors drink tea.
That’s one thing I do for sure, on days when I’ve doing commercial voice over or voice acting. I don’t drink coffee and I try not to eat a lot of heavy foods. I’ve noticed those things can really affect my vocal performance and especially my endurance. I try to get a lot of sleep, drink a lot of water and tea. And you know when you get to the loud stuff, it’s really about support.
Having a background in singing and knowing how to use the diaphragm. How to support vocals for shouting during fight scenes and exerting yourself really goes a long way. But there are those days, when it’s just like you know what? This is maybe just going to hurt a little bit. And I think it can hurt and not damage you if you’re conscientious and do it in the right way. But it’s something I try to be very conscious of and careful about. You have to protect your career!
Shota Aizawa and Deku in My Hero Academia – Screenshot photo via VRV / Crunchyroll
Was voice acting something you always wanted to do?
Well acting really was, I was always an actor. I started off in elementary school as an actor and I acted all the way through school and through college as well. I kind of became an anime fan during college, when I started watching Adult Swim and Toonami. That really introduced me to a lot of really classic shows, I remember watching Cowboy Bebop for the first time. It just blew my mind!
So yeah, I always had it in the back of my head, I thought it would be amazing to be able to get it to do that. I think it was 2011 when I got a shot at auditioning at Funimation. That was kind of the beginning of it, and I realized pretty quickly that the work that I do in the booth was some of my favorite work.
There’s something about it, the reach is so huge now, anime has become this really mainstream thing. It wasn’t when I was younger. It was much more of a niche, sort of entertainment category and now it’s exploded into the mainstream in a big way!
I feel the same way, when I saw the Dragon Ball Super: Broly voice cast filled up the Theater at MSG, it was pretty impressive.
Yeah, it’s amazing to see because it was not like this, 20 years ago. So yeah, I think it’s really rewarding the reach that you get from doing these shows. And video games too! It’s a worldwide phenomenon. I love it, I wouldn’t trade it for anything.
Learn more about FunimationCon 2020:
FunimationCon 2020 Logo – Convention Schedule – Art Credit: Funimation
– Get the English Dubbed Fire Force Season 1 Blu-ray at Amazon and catch up with Takehisa Hinawa!
Kenny Omega spoke to The Natural Aristocrat about FunimationCon 2020 as the future of conventions, his passion for My Hero Academia, hosting the My Hero One’s Justice 2 tournament, Dave Meltzer’s original 6-star match rating, AEW, and wanting to perform at NJPW & ROH’s G1 Supercard show at Madison Square Garden.
This interview contains spoilers for My Hero Academia: Heroes Rising.
The Natural Aristocrat : Funimation is ahead of the game doing a virtual ‘FunimationCon’ because this could indeed be the future. Maybe there won’t be mass in-person conventions anymore. You’ve experienced the changes firsthand in AEW, having talent-only shows due to the Coronavirus pandemic. How do you feel about FunimationCon 2020 and the future of conventions in general?
Kenny Omega: I mean you always have to consider that, this may be just the way things are from here on in. I sort of count my blessings that when this pandemic happened, which is a terrible thing, that at the very least, we’ve reached an age where everything can be done digitally. How we can still stay in contact with people from across the world, how we can still stay in touch with people even a few blocks away! If we can’t be live and in-person with people, if we can’t be live in a crowd… At the very least, we have a number of platforms where our voices can be heard, our faces can be seen. Worst case scenario things are going to be like this, for a long time, possibly forever. Who knows?
The silver lining to it all is that we as human beings have reached an age in technology where we can stay in touch. We can still communicate with each other and find ways to entertain one another. I think that’s at least one positive coming out all this is that there is hope.
You’re known to be a passionate fan of My Hero Academia, I was wondering about your feelings on My Hero Academia: Heroes Rising? I felt Nine wasn’t a traditional villain, he was more akin to X-Men’s Magneto, considering the wolf-faced man, Chojuro Kon, remarks he didn’t treat him like a monster for his looks. Quite reminiscent of Magneto & Mystique.
Exactly! I do believe in a lot of cases, If you can level with the villain, if there’s a human side to them, if you can see their perspective… They’re effectively more interesting of a character. You brought up Magneto, another one is Thanos. I think one thing that My Hero Academia does better than any other series, that’s including Marvel, DC, everything is they provide emotional strength to their characters. I think it was a pretty good idea to always give the human side, and give perspective to both the heels and the villains.
Especially, if you’re gonna go for like a movie type feeling to something, you want to make your evil, an incredible evil. But I don’t think that’s going to the last cinematic release for My Hero Academia. I think that’s going to be here for a long time. Whether it be featured in a season within the series or whether it’s featured in the movie, I think you’re gonna get those purely evil people that don’t even need-
Like for example, The Nomu in the first season. They had no real motivation. They’re just killing machines, right? So, they sort of already had went with that angle. This very powerful, almost indestructible killing machine that only thinks about death, destruction, and killing.
That’s almost like The Terminator approach. It has one mission. It has one thing it needs to fulfill, and that’s death and destruction. I think that the writers are so talented for the series that they can take a numerous amount of approaches to their villains and their heroes and keep it interesting. They could even have heroes that appear to have a dark side to them like Bakugo, for example.
I sort of still feel that maybe down the road, he made just drift over to the dark world for a while. He may he may become the ultimate villain at the end of it. Who knows?! But they’ve given ideas and character layers. These characters can sometimes drift more into one zone than another and I think that’s fantastic. it’s a lot of food for thought after processing you know a gigantic arc within a story.
You’ve been connected to gaming professionally since your New Japan Pro Wrestling days. Even integrating the Final Fantasy 7 inspired “One Winged Angel” into your day-to-day wrestling move set. What started the journey to anime & gaming that led you to connecting with Bandai Namco and hosting the My Hero One’s Justice 2 voice actor tournament at FunimationCon 2020?.
That’s a very good question, I’ve always wanted to get as involved as possible with my passions and my hobbies outside of wrestling. You know, I love wrestling. It’s a great sport and been a fantastic job to me. It’s allowed me to travel the world and meet a lot of new friends. And it turns out that a lot of people that watch wrestling, a lot of people that wrestling have very similar interests to me. Which is video games, anime, things like that. With how the current climate of the world is… If you have an interest in something, if you have a hobby, there’s always a deeper level to it.
So, if I like video games for example, there’s competitions for video games, there’s people that collect retro games, and try to try to amass entire libraries of games. The same with anime. If you watch anime that was released in the States and in Japan & you enjoy anime, then you can take that as deep as you want to go. You can delve back into the annals of time, into the archives, and there’s hundreds of thousands of anime shows and movies. Especially working in Japan, I was living in Japan for about 11 years. It allowed me to really take my hobby and one of my passions, which is both anime and video games to a really deep level.
Pumped to take part in #FunimationCon tomorrow and call some of my favorite #BokuNoHeroAcademia fights in the PS4 fighting game, (My Hero One’s Justice 2).The real English voice actors are repping their characters so there’s a ton of pride on the line! https://t.co/ltaEE4gB4G pic.twitter.com/4tXrT6DeMD
— Kenny Omega (@KennyOmegamanX) July 2, 2020
I found first and foremost that I really love sports anime. And so that that took me down one path to really find and hone what my favorite sports animes were and get really into it. Read the mangas and all that stuff. Being a comic book collector as a child and a fan of Saturday morning cartoons and all that, of course, I was a huge fan of superhero stuff. Once My Hero Academia came out, I felt, ‘Okay I can give it a shot.’ And within the first 30 minutes, or I guess I could say twenty one with commercials of the first episode… I was more connected to that story in that world than anything that I had seen or read in the past decade, probably.
I knew that they were a winner and I’m just so glad that it has seen the success that it has because now we can continue that story. The journey continues. One thing that’s really sad is when you love something, you support it, and you follow something along & can’t wait for the next book or the next season or the next movie to release… And there’s no fan support, so it just kind of dies off.
Luckily, we’re already, four or five seasons in. I don’t know if I’d consider it the halfway point but we’ve seen a lot of material for Boku no Hīrō Akademia, My Hero Academia,. I’m just thrilled that we’re still continuing on this journey and it seems that, a lot of people are with me on this, that we’re going to see even more. And that’s really exciting for me.
When you received that 6-star rating from Dave Meltzer for your match against Kazuchika Okada in NJPW… Did you feel that put more pressure on you to have to deliver every time? Does it serve as motivation? I remember Steve Austin commenting on his podcast that he went to check out your match because of that Meltzer rating.
Yeah, I mean it’s a double edged sword really because when you set that standard, that precedent that you can have a six star match… For some people there’s an expectation that, ‘Oh, if I see Kenny Omega, this is what I expect and hope to see!’ And there’s a lot of variables that go into making a 6-star match. Now, I’ve had I think four or five matches that have went over 6-stars or 6 and over. I’ve had more than that go over 5 stars. But I never feel the pressure to have to deliver what one critic deems over a 5-star match.
What I’m trying to do is just diversify my resume, I never want to have to give what in one person’s mind is a 6-star match. That 6-star match to him isn’t necessarily what I think is a 6-star match. It isn’t necessarily what my neighbor that was beside me thinks is a 6-star match. It’s not what little Jimmy who lives across the world and generally likes watching Sailor Moon, maybe he doesn’t consider that a 6-star match. I’m trying to always have performances that can appeal to all sorts of different people, from all walks of life.
I think as long as there is somebody in the world, that looks at one of my performances and considers it time not wasted. Or one of the best things that they’ve seen, I feel like my job is complete. So, yes there’s pressure to always give a performance that I think merits somebody’s interest and high praise. But it doesn’t necessarily have to be that one person’s praise.
Do you have a personal 6-star match, one that’s your favorite?
That’s a very good question. Of course, I’m very proud of the match that was the only one that’s ever been rated 7-stars (NJPW Dominion). That was the culmination of a year’s worth of storytelling and I felt like it was a great way to end the story. It not only gave something brand new for fans but fully implementing storyline elements from all the matches that came before it. So, that match I’m very proud of. My most recent 6-star match that I had in AEW was one that I was extremely proud of because I could get it with my friends.
That I had RTW was one I was extremely proud of because I could do with my friends. Generally speaking, it’s very difficult to obtain a 6-star rating. At least by the Meltzer system, in America. I think for us to pull it off is just a real feather in the cap for all four of us to do something that no one really in North America has ever done. Not only that but again like I said, one person’s opinion is fantastic, someone who’s very studied and knowledgeable in wrestling. But the general feedback from anyone that’s seen the match and other critics alike really enjoyed it.
That for me is the ultimate payoff, when you start to see almost universal praise. Of course, you might find someone who will vilify it which is fine. But when you see generally incredibly positive feedback from sometimes even people who don’t like your stuff. It’s a real good feeling that kind of lets you know, you did a good night’s worth of work.
I actually bought a ticket to the NJPW/ROH G1 Supercard Show at Madison Square Garden last year because I thought you were going to be performing there to be honest.
Oh, we all thought I was going to be there! Even though I’d already been involved with the AEW project at that point and everyone knew my intentions of going there… It was always my hope that I could still be a part of that show. But you know, things happen. It was just a preference that there was no one from AEW to represent on that card.
But I was always ready, willing, and able. I still feel that it’s a shame that it couldn’t have happened because there was nothing on my end that had caused that to happen. But I understand there’s not just a service to the fans but there’s a very unknown business side to everything we do. I’d call about to happen. Whether it be in wrestling or fear of working any kind of job. There’s a hierarchy and there’s stuff that happens behind closed doors that no one ever hears about or talks about. And those decisions were made without my involvement, and it was decided I wouldn’t be on the show.
Again, I still apologize to fans because of that and it is a shame because I would have loved to show people something special from New Japan in one of the world’s most famous arenas.
I hope to see AEW arrive in MSG someday if and when the pandemic ends! Thanks Kenny!
Thank you so much man, I really hope to be back in arenas again someday soon!
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