Charlotte Nicdao spoke to The Natural Aristocrat about Poppy’s endearing and eccentric personality quirks like a fascination with dinner parties and shovels on Apple TV+’s Mythic Quest: Raven’s Banquet.
Charlotte Nicdao took a Myers-Briggs personality test in-character as Poppy to get into the role’s psyche on Apple TV+’s Mythic Quest: Raven’s Banquet. Nicdao believes Poppy is the type of personality that can become a “mastermind” at any individual specific thing by being hyper-focused on it… But be terrible at everything else in the process. Hence, Poppy’s insistence on making her early season ideas of in-game dinner parties and a seemingly throwaway item like a shovel work.
During a roundtable press interview in New York City, The Natural Aristocrat discussed the makeup of Poppy’s personality with Charlotte Nicdao and why sometimes ‘a shovel’ is more than a shovel.
This interview contains minor spoilers for Mythic Quest: Raven’s Banquet.
Interview with Charlotte Nicdao on Poppy:
The Natural Aristocrat [Nir Regev]: Poppy has these unique personality quirks about her like being exceptionally keen on dinner parties or even shovels. I think that says a lot about her character’s backstory. Do you feel it’s true that Poppy has never been to a dinner party before?
Charlotte Nicdao: We did have this idea that she’s incredibly intelligent but just can’t get her head around how to connect people. That’s the thing that Ian, Rob’s character, is really, really good at. And maybe part of the reason that Poppy isn’t able to get credit that she deserves. But Poppy just doesn’t really understand how other people function. I did this thing before we started shooting called a Myers-Briggs test for the character. You know those personality tests? I answered it the way that I thought that Poppy would answer it and it was fascinating what came out.
Poppy has a personality type, and I think this is really accurate to the character, who would become focused on one specific thing and become a mastermind at it. And it could be anything! So, this kind of person could choose to be social and be brilliant at it… But be terrible at everything else. And I think that’s who she is. Poppy’s the most brilliant coder in the world! Everything else is just a mess. (laughs)
Was the use of a shovel supposed to be a symbolic metaphor for always trying to kind of dig yourself out of Ian’s plans?
I didn’t think of it like that but I like that analogy! I think it was a really cool idea for me that Poppy is someone who’s basically been with the game since its inception… And is in charge of creating all these ideas that Ian has, turning them into something that’s playable. The thing that she holds dearest to her in the expansion, her beloved idea, is a tool that allows the players to do what she’s done: create something that’s lasting, that then other players can interact with. I thought that that was quite beautiful, which is not something that you would usually think of in association with a shovel.
There’s a part in Mythic Quest: Raven’s Quest where Poppy tells her boss David [David Hornsby], ‘you know that’s why your wife left you.’ That was pretty brutal! How did it make you feel to say those words?
Megan Ganz (Series Co-Creator/Writer/Executive Producer) came up with that on-set. She came up to me and was like, “When she says this, throw that in!” I love it when Megan is on-set, she gives me really good jokes!
Charlotte Nicdao on Social Media:
The Natural Aristocrat recently interviewed Charlotte Nicdao’s Mythic Quest: Raven’s Banquet co-star F. Murray Abraham (C.W. Longbottom) on his role and backstory on the series.
More Interviews at The Natural Aristocrat:
F. Murray Abraham spoke to The Natural Aristocrat about the backstory of C.W. Longbottom on Mythic Quest: Raven’s Banquet, one of the definitive highlights of the new Apple TV+ series.
Oscar winner F. Murray Abraham’s ‘C.W. Longbottom’ is one of the top reasons to watch Apple TV+’s new gaming focused comedy series Mythic Quest: Raven’s Banquet. C.W. Longbottom is a writer still living off the prime of his prose, providing backstories for the show’s ‘faux’ game Mythic Quest… While laying hints to the groundwork that led to ink on paper, including a lost love that led to a lengthy stay at a hospital. If you get the drift!
F. Murray Abrahjam’s uncanny pitch-perfect comedy timing is a driving force on the show’s opening episodes. During a roundtable press interview in New York City ahead of the show’s Apple TV+ premiere, The Natural Aristocrat discussed the mysterious C.W. with F. Murray Abraham and the vital importance of a backstory.
This interview contains minor spoilers for Mythic Quest: Raven’s Banquet.
The Natural Aristocrat [Nir Regev]: My favorite part of your character C.W. is the mystery surrounding your own backstory while simultaneously being the giver of backstories. Throughout Mythic Quest: Raven’s Banquet, C.W. peppers in these hints like the girl he had a fling with in Morocco inspiring him. Poppy [Charlotte Nicdao] yells at C.W. around episode 2, “Enough with the backstory!” As an actor, have you ever picked up a script in your career and thought there was too much backstory?
F. Murray Abraham: I could be flip and say everybody else is a back story. (laughs) I’ve worked with Harold Pinter, he directed me in my first Broadway show. That was a play that he bought, we became friends. He became friendly with quite a few people, he’s a good guy. He didn’t look like he was, he was called the Sphinx but in fact he was very funny. Anyway, we had a play of his that was being done in town at the same time, and he was overseeing it. It was an off-Broadway production and there was something wrong with it. We were looking at the script and talking about it… He said, ‘I want to cut this and I want to cut this and try this. It’s not working.’ I said, “You have to try it, you really have to try it and try it and try it before you throw it out.” Because I believe that the discovery is not over until it’s absolutely impossible.
In a time crunch business like this one, you don’t have that much time. So, going into it with a good script which is what these have been so far, is really essential. My backstory, I want to examine that more and more because what he represents when I’m talking about another century, which is what it is, another century. It was kind of the heyday in the 60s and 70s for writers. There was a lot of money being thrown around. So, if I said at that time because I had won a series of awards, my character, ‘Yes, I want to write this book but I want to write it in Morocco. I want to write it in New Orleans. I want to write it there.’ I mean C.W. could do that and it was a style. It was a way of living. It was fun to travel in those days and it was possible to introduce his idea of a back story, his idea of how much it meant.
I think that he was kind of coddled at the time. And he still is coddled in a way in this current situation, he’s looked after, kind of. He’s put up with for certain things. I feel that backstory is essential. Ms. (Ashley) Burch brought this up earlier, fighting for the back story is something that she does because she understands the value of it. I think it’s essential to the success of this series, that each of us starts to reveal their backstories because it’s not enough to see how friendly we are with each other. And we are by the way! We have to start seeing the characters fleshed out a little more. I would like to see something on my character’s tragedy. I would like to touch on that. Or a love. There is much to explore!
C.W. is my favorite character on Mythic Quest: Raven’s Banquet, your comedy timing is so precise.
Thank you, I love the character! How can you not like playing this character? I’m a flamboyant actor to begin with. My favorite characters on stage have always been that kind of character. I love Opera and one of the reasons is the gesture. I think that the theatre is suffering because it’s too kitchen sink stuff. I think it’s more designed for a stage as a stepping stone to the movies and television. There’s nothing wrong with that but the essence of the theater, the size of the theater is missing. I think it’s necessary.
Circuses and Opera are fun because of that size. I live for it. But if you were to try to capture what it means to go to a Greek drama. Some Greek tragedy pick one, Oedipus. They really only lasted if you do them, the way they were supposed to be done written. It’s only about an hour long and at the end you’ve come out of this with a cathartic experience… But that can only be accomplished by the screaming and the Sturm und Drang on the sides. And I think this character still is attached to that world.
He’s funny because he’s absolutely sincere about it and I’m sincere too. But also he just has a good time, I think it’s important that he relishes this life. I think it’s one of the things that keeps him alive and keeps him functioning. What it does is keeps him youngish. I feel the same way about myself. I believe that the only way to stay young at least in your mind, in your heart, is to work with younger people and to continue to work. Some of us are not lucky enough to continue to work, to get to work.
I believe you can find the work, whether you are a famous actor or you are still struggling. As an older man in this business, there are so many theaters in New York, you will find a place to work if you put yourself out there. Even if it means reading plays. What I’m suggesting is that in this production, in this series, you have four generations of actors. I don’t think there is another show that can claim that. And it’s not just an old guy who happens to be peripheral. He really has something to say and it’s important to him, and it becomes important to the show.
But more importantly or as important, he has something to learn. And he’s not beyond learning! That’s an interesting aspect of this character, and that’s where Ashly (Burch) steps in because she takes it on herself… Without being snotty and nasty to me, to teach me how to do this. In return, I try to teach her what it’s like to work the classics into her work.
Just wanted to say, I really enjoy your work as Dar Adal on Homeland!
Oh man, those are some great scripts!
Watch Apple TV+’s new gaming development/streaming world comedy sitcom series Mythic Quest: Raven’s Banquet now.
Katharina Kubrick spoke to The Natural Aristocrat about the timeless nature of her father Stanley Kubrick’s films, the new ‘Envisioning 2001’ Exhibit at New York’s Museum of the Moving Image (MoMI), Stanley choosing Steven Spielberg to direct A.I. Artificial Intelligence, the Barry Lyndon threats, The Irishman’s de-aging tech, and much more.
It was a great honor for The Natural Aristocrat to interview Katharina Kubrick, daughter of Stanley Kubrick, about her late father’s lifetime of contributions to cinema at the Astoria, Queens based Museum of the Moving Image. New York City’s MoMI will be home of the Envisioning 2001: Stanley Kubrick’s Space Odyssey Exhibition open now until July 19, 2020. Rarely does The Natural Aristocrat get sentimental but to be personally connected to Stanley Kubrick’s family and history in any fashion is truly surreal.
Katharina Kubrick discussed film as an art form, why her father’s work connects seamlessly with generation after generation, her favorite part of MoMI’s Envisioning 2001 Exhibit, Stanley as a family man, and questions film aficionados may be wondering about. Including: Would Stanley have embraced The Irishman’s de-aging technology? What ultimately made Stanley decide to hand directing of A.I. Artificial Intelligence to friend Steven Spielberg? The details of the threats made during production of Barry Lyndon, and the tragedy that made Stanley abandon flying.
Watch the full interview with Katharina Kubrick above or read the transcript below:
Interview with Katharina Kubrick:
The Natural Aristocrat [Nir Regev]: You mentioned earlier at the ‘Envisioning 2001’ presentation that younger fans have come up to you and said, ‘this film is G.O.A.T!’
Katharina Kubrick: (laughs) I’ve only just learned that phrase!
It really makes Stanley’s work timeless. What does it mean to you to have multiple generations always returning to these films no matter how many decades pass?
You know, why do people still listen to Bach? Why do people still look at Van Gogh’s paintings? I think if the art, whatever it is, whatever form it takes, whether it’s a painting or music or film is honest and speaks to people, then it will last. I think a lot of people think that film is a sort of a one view consumer project.
I mean obviously a lot of films are. But if you’ve put a lot of heart and soul, thought and effort, and money into making a movie, to my way of thinking, you should be wanting to make a film that lasts. Why would you make something that you just think, ‘Oh, people are going to forget it by the time they’ve walked out of the cinema’?
Film is one of the great art forms, it involves story and music and acting and design. And it is so all encompassing of all the arts. You have a lot of different artistic disciplines that come into making a film. It’s new, in terms of world art but I think good films make a great contribution to the quality of our lives. But I would say that, wouldn’t I? (smiles)
Were you were heavily impacted by your mother Christiane in pursuing art as well?
Yes, my mother is an artist. She’s a very good painter and has a very good website, ChristianeKubrick.com. Stanley found her when he was in Germany making a film called Paths of Glory, and wanted an actress for the last scene. He was watching television and saw her in a play, called her agent, asked for an interview. And you know the rest as they say, is history.
She had been acting for a living but didn’t really want to be an actress, she always wanted to be an artist. Being with Stanley meant that she didn’t have to act anymore and she could be a painter. So there were two artists living in the same environment and encouraging each other. They were a great team those two. (smiles)
I’ve noticed while listening to you earlier and in general that Stanley always wanted to make his work a family affair. He’d feature you and your sisters in film cameos, utilize family-made paintings and music. Essentially, want all of the family involved in some fashion.
I think if Stanley had his way we would all have worked in the film industry because as far as he was concerned… Why wouldn’t you want to work in the film industry? He was very pleased that I went into the art department and films and had my own career apart from working for him. My late sister Anya was an opera singer, so obviously the film business wasn’t for her. And then my youngest sister [Vivian Kubrick] made a documentary on The Shining.
So, he was very keen for us to be involved because he thought it was the best business to be in. He would involve us whenever he could. We were always together as a family. We always traveled everywhere together. Everything was based from home. And so we were all if not directly involved, we were all there and he would show us drawings or concepts or talk to us about ideas he had. “What do you think about this, and what you think about that?” We were always a team.
One of my favorite movies personally is Barry Lyndon. I’ve read that Stanley received threats for having British soldiers essentially on Irish soil?
No, they were Irish soldiers. Well, what we had is a British film crew and we were in Waterford (city in Ireland) and the soldiers were all Irish soldiers and a lot of the crew were also Irish. But the main film unit was British. We were renting a house and there was a cleaning lady and she said some guys came to clean the windows or paint the house. I can’t remember which way it was. And they said, ‘Oh you know, these people are not who they say they are. We know who these people are.’
There were difficult times in Ireland at the time. And then I think there was a phone call received and it was made very obvious that we needed to not be there anymore. That there was a potential threat against the crew, if not us directly.
I was actually not in Ireland, I was back in England at the time when it happened. They just had to hightail it out of there. Stanley said it’s just a movie, it’s not worth anybody getting hurt for. So he was very pragmatic from that point of view. They moved to England, the whole unit move to England. I went back on the picture and we all started looking for locations again, and we set up the production offices in Salisbury (city in Wiltshire, England).
I’ve always been curious about A.I. Artificial Intelligence, a film that Stanley started being interested in making all the way back in the 70s. From what I’ve read over the years, Stanley really wanted to make this film and it seemed stuck in development limbo. Eventually he asked Steven Spielberg if he would direct the picture.
Why did Stanley feel the technology was never quite good enough prior? I’ve read Jurassic Park had a considerable impact on Stanley decidedly pushing for Spielberg to direct, although Spielberg still wanted Stanley to direct the film. Would Stanley have directed the film after Eyes Wide Shut had he not passed?
No, there were certain sequences in A.I. that CGI hadn’t caught up to at that point. They weren’t very good at doing fur and water. Stanley was very impressed with Jurassic Park. When he approached Steven and said, “I really think you should direct this and I’ll produce,” Steven was surprised obviously. But then I think very encouraged and he didn’t give it back. Stanley was going to do it, after Eyes Wide Shut it was fully his intention to work on A.I.
He told me that he thought he would make it too dark and that it was more Steven’s subject matter. That the two of them would collaborate very successfully. They were really good friends and they talked about it a lot. I think it probably would have been a very good collaboration. I feel is already a really dark film and Stanley thought that Steven’s sensibilities were more appropriate for the subject matter.
I think they more or less agreed that Steven would direct it and Stanley would produce it. I’m very pleased that Steven made it.
How do you feel Stanley would have looked at the de-aging technology recently used in Martin Scorsese’s The Irishman?
I haven’t seen The Irishman but Stanley would have loved all the new technology for sure! I think he would have just been finding ways that he could incorporate all the new stuff into a new story. He never knew what film he was going to be making next. Stanley was a voracious reader and he said that finding a good story that he wanted to make and fallen in love with was the most difficult thing for him.
It took him years to decide what to make or to find a good story that would sustain him throughout the filmmaking process. Because you have to really love it and believe in it and trust in your instincts. And then you have to do all the research, which was part of the thing that he liked doing a great deal, was the research. It’s like he cut filmmaking into thirds first third was research, second third was filming it, and then the last third was editing. That was his favorite process of the whole thing, the editing.
Did you personally watch Doctor Sleep?
Yeah, I’ve seen it. Well, I haven’t seen it finished. I saw it a couple of months before it came out.
You mentioned earlier how much Stanley loved New York. I’ve read that after Stanley got his pilot license, he felt that commercial airlines weren’t safe and didn’t really like traveling by flying anymore. Do you feel the choice affected his life in any way?
He did have a pilot’s license and he flew a very small plane himself. What happened was that his good friend was killed in an air accident. Stanley, being his close friend was sent all his personal effects and I think it just freaked him out completely. He just couldn’t cope with it. He just didn’t fly, didn’t have to fly. We always went everywhere by ship.
What’s your favorite part of the ‘Envisioning 2001: Stanley Kubrick’s Space Odyssey’ Exhibit here at the Museum of the Moving Image?
I like seeing all the sketches and the the artwork, actually. It’s good fun. It’s very interesting to see the process, the way people’s minds work in getting to the final result. There’s lots to see!
Be sure to check out the full MoMI Envisioning 2001 Exhibit Press Presentation and The Natural Aristocrat’s tribute article to Barry Lyndon’s use of Handel’s ‘Sarabande’ as a prominent piece overlaying the film.
Mary K. DeVault spoke to The Natural Aristocrat about portraying host Ms. Lorelei on The Purge’s pro-NFFA, pro-Purge children’s program, Ms. Lorelei’s Corner.
The first minutes of The Purge’s “Hail Mary” are a beautifully set piece of New Founding Father propaganda, 1984 Orwellian-styled dystopia, classical agitprop. Ms. Lorelei’s Corner was one the show’s landmark cold openers, instantly palming your attention and holding it there. Impressionable youngsters being led by the glitz and glamour of their charming host to the party-in-power’s agenda leanings. The razzle-dazzle of their teacher shepherding not only the audience in attendance but an entire nation’s youthful viewers watching on television.
Actress Mary K. DeVault played Ms. Lorelei, spinning into her grand entrance donning a richly colorful Disney-like Princess dress with long gloves. Trustworthy at first sight, capturing the audience’s heart, subduing their mind blissfully from thinking too critically of the lead message. A soothing visual to Purge viewers at home, recalling their own childhood programs, with layers of complexity waiting to be explored.
During an exclusive interview with The Natural Aristocrat, Mary K. DeVault discussed crafting The Purge’s Ms. Lorelei on-screen, her background in children’s theatre, and the deeper question of Nature vs Nurture when it comes to the series’ characters. DeVault loved every moment of working on the series, calling it a top production all around and relishing the opportunity to work with Ms. Lorelei’s Corner audience members like Zoe [Emily Criss Rives].
Interview with Mary K. DeVault on Ms. Lorelei’s Corner:
The Natural Aristocrat [Nir Regev]: I recently asked one of your Purge co-stars Amye Gousset (Lena Dash) about the whole Nature Vs. Nurture aspect of The Purge. Viewers see Ms. Lorelei’s Corner, a kids-oriented Pro-Purge show, juxtaposed with a young Ben Gardner smashing up a doll on the “Hail Mary” opener. Do you feel Ms. Lorelei’s Corner is what influences Ben to become violent, that he was born with those tendencies, or it’s a mix?
Mary K. DeVault: I did have some interesting theories on that! I just thought the character was so well written. There’s things like The Warrior Gene, which is based around studies that it could be biological. How some people could have this in them already but it needs culture and society to really bring it out. Not everybody becomes a killer or an aggressive person. I feel the writers really did their research when they put these kind of things in there. It creates something for you to think about.
I find this character very interesting in that way because it gives you a lot to play with. I mean because you have to think as an actor, does this Ms. Lorelei actually go out on Purge night. You have to make your choice for yourself. I think the better choice is that, ‘yes she does and she enjoys it’ because she’s expressing her Purge enthusiasm to these children.Mary K. DeVault as Ms. Lorelei on ‘Ms. Lorelei’s Corner’ during The Purge Season 2 Episode 9 “Hail Mary” cold opener – Screenshot / Photo Credit: USA Network
I’ve always wondered for these kind of scenes, do the youngsters realize and understand what they’re saying, material wise?
As a character, the children really look up to Ms. Lorelei and believe everything she says because she’s their role model. In real life? I don’t think so. In one scene I was supposed to be really close to Zoe’s [Emily Criss Rives] face and I know it’s kind of frightening even as an adult to have someone really close in your face. (laughs) I was like, ‘I gotta go chew some gum!’
I tried to talk to her beforehand just so she sees me as a person, and not this scary person up in her face and be upset. I also think that they understand that they’re acting because all the kids were just amazing. They were so fun, after we’d say cut, they’d be kids again.
It is interesting… I understand what you mean. Would it scare them or would they believe what I was saying as a person and not understand that it’s acting? I think they’re all in the business themselves and know what’s going on or have been told what’s going on.Young Ben Gardner [Carson Minniear] watching Ms. Lorelei’s Corner on The Purge Season 2 Episode 9 “Hail Mary” cold open – Screenshot / Photo Credit: USA Network
What was it like for you in general? Is it surreal to work with young actors?
Amazing! Everybody was on the same page, I felt that the way they wanted to see the character was the way I understood the character. It was fun! I really felt that the direction and the costumes… Even the way they filmed it, coming out of the apple box and spinning around really helped create the atmosphere. I was really with it.
Did you draw on any children’s hosts that you watched yourself as a kid to kind of craft Ms. Lorelei?
(laughs) That’s funny, no but I actually did a lot of children’s theatre when I was starting out. I probably drew more on that as Ms. Lorelei because it came very easily to me to play this character… And I do believe it came from doing children’s theatre! Because you’re trying to give that same kind of grand experience and relate to the children.Mary K. DeVault as Ms. Lorelei during ‘Ms. Lorelei’s Corner’ on The Purge – Screen captured GIF Credit via USA Network
Who did your costume for Ms. Lorelei’s Corner? I thought the design fit perfectly.
Wardrobe’s amazing on that show! The casting was pretty quick so I had to get to wardrobe immediately and try some things on because we were shooting the next day. I thought there were some great clothes but the first ones I saw just didn’t feel right… I was like ehhh. Then there was one dress I’d seen before the audition! (laughs) It kind of called out to me, and it was not the dress you see.
They had to alter it a great deal with all the decorations and the ruffles underneath. They altered it in a matter of hours, it was amazing! They wanted more of a 70s outfit in the script I think, because it was a flashback when he was a child and a different era.Mary K. DeVault as Ms. Lorelei dancing spin intro on ‘Ms. Lorelei’s Corner’ during The Purge Season 2 Episode 9 “Hail Mary” cold opener – Screenshot / Photo Credit: USA Network
I liked that they gave Ms. Lorelei those gloves, it really added to the character.
(laughs) Yeah! I do a silly web series, Ginny on the Rocks, and in some of it I wear gloves so I thought it would be cool if Ms. Lorelei had gloves!
Oh, so you personally made that request?
Yeah, I don’t know why, I just thought it would be cool if she had gloves! (laughs) You just have this gorgeous kind of outfit, and if you’re in a children’s show, you’re going to accessorize it. Just to make it fun for the children to watch, and make it a little Princessy and Mickey Mousey, so they can say “Ooooo, that looks cool!”
How do you usually prepare for a role? Do you have any kind of rituals that you’ve kept from the beginning?
I do, it’s like if you’re reading a novel and you see the character in your mind. I try to put myself in the character’s mind and after years of doing it, it really comes faster. You know immediately if you connect to a character. In this case, I definitely did! Sometimes you get it, and sometimes you don’t, they go a different way… But you kind of know from all the past characters you’ve played and all the work you’ve done on other characters in theater, television, movies and and everything else for that final product. It all comes up and adds to that.
I just immediately clicked with this character and I knew exactly in my mind who she was. I also watched two Purge episodes and I don’t normally watch horror! (laughs) I watched Season 2 of The Purge after my episode aired, so I knew what was going on more. I thought the writing, production, and everything about the show was extremely high quality.Mary K. DeVault as Ms. Lorelei making a subliminal heart/’love’ symbol on ‘Ms. Lorelei’s Corner’ during The Purge Season 2 Episode 9 “Hail Mary” cold opener – Screenshot / Photo Credit: USA Network
The idea itself is just such a good concept for a horror! If you don’t watch a lot of horror, you’re kind of like, ‘I don’t know if I could watch this!’ But it’s like Ben, after your first purging it just keeps getting easier! (laughs) I really enjoyed Season 2 and I watched two episodes from Season 1 before I went into the audition.
I thought I’d have more time to watch but things really move quick and the next day you’re in there. I needed to know the tone of the show because the opening scenes are very different from the actual show itself somehow but yet they’re the same. They’re a little bit more heightened, almost a separate entity but they go right into it.
I felt it was one of the best openers of the season.
Thank you! I did too. (laughs) I mean, I really also enjoyed that first audition, that was kind of creepy.
Did you know you were auditioning for The Purge?
The first episode in the opening scene was this woman auditioning to be the voice of the part. I can’t remember her exact lines but it was pretty cool. I thought it was really well written. It just blows my mind that people can come up with consistently good writing, week after week. They really put a lot of thought into how they’re going to present the series.
I was amazed at the production quality, the directing and writing, everything about it. Sometimes as an actor, you just see a character and you’re like I know this is my character! I just wish it would be on a recurring basis.Mary K. DeVault as Ms. Lorelei excited on ‘Ms. Lorelei’s Corner’ during The Purge Season 2 Episode 9 “Hail Mary” cold opener – Screenshot / Photo Credit: USA Network
For sure then, you’d like to reprise Ms. Lorelei on The Purge in a future season?
Oh, I’d like to return to the show or any show I’ve done! You get attached to your characters and you don’t want to let them go. You’ve worked with them for a couple of weeks or from the audition to the time you’re shooting. Well, everything happens so fast, you don’t get that much time. You think about that character and after you shoot it, it’s like a play, a theatre piece, it’s a little difficult to let it go. You want it to return.
Especially, with Ms. Lorelei there’s so many layers to that character. There’s so much more you could do there.
Yeah, there could be other characters that watched Ms. Lorelei’s Corner… I don’t know what they have planned for next season, I think there will be a Season 3. Which will be interesting to see!
How did it feel for you to deliver that line when Zoe asks, “Can they kill people?”, and you respond “Yessssss… They can!” Complete with a massive smile and a giggle.
I had to really make a decision in my mind, ‘Does this woman go out and Purge?’ And I thought, ‘Yeah, I think she does and I think she enjoys it.’ That wouldn’t be me! (laughs) So, I had to find that spot for the character where this is okay, and I’ve been told it’s good for you. You have to as a character really believe that!
It was interesting and complex, particularly, since I used to do comedy a lot more. You sometimes play people who have views that are creepy and you have to connect. I’m not saying to go method and go out and do it (laughs) but really put yourself in that person’s shoes and their beliefs.
They believe what they believe because of everything around them, truly thinking it’s okay. I think Ms. Lorelei thinks she’s doing a good thing, I don’t think she believes she’s doing anything wrong. She’s letting these kids know there’s this whole other world out there, that they can enter into once they’re able. Which builds the suspense creepily!Emily Criss Rives as Zoe featured on ‘Ms Lorelei’s Corner’ during The Purge Season 2 Episode 9 “Hail Mary” – Screenshot / Photo Credit: USA Network
You mentioned your web series Ginny on the Rocks earlier, can you elaborate more for fans who haven’t seen it yet?
It’s a single camera sitcom but three-four minute episodes starring my character Ginny Penelope Talbotowski. I just wrote the latest set of episodes! It started off originally with my sister taking a directing class, a GoPro camera, and wanting to do a creative project together.
I saw you recently played the character of Melinda in film The Black String. What was that experience like?
Yeah, The Black String is a movie starring Frankie Muniz and I’m in towards the end of the film, I play this scary psychic! It was a really cool part, enjoyed it a lot. The film went the festival route and it was just picked up Amazon.
Curious, do you watch your own work often? Do you ever watch your own takes?
I don’t always. When I first started, I did watch. I was like “Oh my God!” When you first see yourself on-screen, you’re like, ‘Oh wow, that’s weird.’ But then when you keep doing it, you’re seeing yourself as the character, you’re not seeing you anymore. I wonder sometimes how they’ll put a scene together, editing wise. But I don’t evaluate my performance because I always kind of like it! (laughs)
Follow Mary K. DeVault on Social Media
Be sure to subscribe to Mary K. DeVault’s YouTube Channel and Web Series ‘Ginny on the Rocks’, follow her adventures on Instagram and IMDB to see more of her television and film work.
Relive The Purge Season 2 Episode 9 “Hail Mary” in its entirety by purchasing the episode on Amazon!
More coverage of USA Network’s The Purge is available on The Natural Aristocrat’s The Purge category section!