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Ellen Toland as Emma Taylor in film, Inside the Rain - Photo Credit: Art 13 Ellen Toland as Emma Taylor in film, Inside the Rain - Photo Credit: Art 13

Interviews

Ellen Toland talks Inside the Rain, objectification and job titles (Interview)

Photo Credit: Art 13

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Ellen Toland spoke to The Natural Aristocrat about Inside the Rain’s Emma Taylor and society’s inability to separate job title from human being leading to a culture of objectification.

Ellen Toland’s Emma Taylor in new film Inside the Rain is a quiet looking glass into the day-to-day treatment of commodified human beings. When the fantasy of body sushi and the gentlemen’s club ends and a person trying to resume their regular life off-the-clock begins. Yet, separating the person from their job title appears a distant hope, like spotting individual blades of grass outside. It’s for this reason, among many others, that Emma Taylor finds comfort in another person pre-judged by society. One born with bipolar disorder and treated as such at all times to personal detriment. Even scorned in suspicion for taking their medication due to repetitional bias.

Meet Ben Glass, Inside the Rain’s lead protagonist. Ben is largely defined by one act during Into the Rain, an attempted suicide via overdose. In turn, Ben is later accused of another such attempt when he’s spotted simply organizing his medicine for the week… Leading to an unjust arrest and potential exclusion from university. Thus, Ben Glass decides to make a film about all the events leading up to the arrest as a proactive visual defense. Better Call Saul’s Jimmy McGill once told Scholarship interviewee Kristy Esposito that, ‘You made a mistake and to them that’s all you’ll ever be,’ and it feels highly applicable to Inside the Rain’s plot. Much like Jimmy tried to drive Kristy to fighting forward even without the scholarship, Emma Taylor feels Ben can be advance forward in his life without going back to a University that preemptively shunned him.

This interview contains spoilers for Inside the Rain.

Interview with Ellen Toland on Inside the Rain’s Emma Taylor:

Ellen Toland as Emma Taylor in film, Inside the Rain - Photo Credit: Art 13

Ellen Toland as Emma Taylor in film, Inside the Rain – Photo Credit: Art 13

Nir Regev [The Natural Aristocrat]: A good portion of TV & Film audiences are unable to disconnect the character they see on-screen from an actor in real life. During Inside the Rain, these fraternity looking, rich jocks bother Emma Taylor outside of the strip club she works at. Unable to separate the fantasy of body sushi from a regular person having a smoke after work. I was wondering how you feel about that?

Ellen Toland: Oh, that’s a really, really good question. I think that’s a feminine issue especially and it’s pretty ingrained in masculine culture. To objectify women, having a hard time separating the fact that they are not an object and something to toy with. I feel that’s what that scene really plays upon because those guys definitely don’t see a difference between a human being and their sushi tray.
And I think that’s a real issue with our culture in general.

It’s something that people really need to assess within themselves. I think that happens with people and titles of their jobs in the first place too. We don’t see past the title of what people do, and we make that their entire identity… And then treat them with that sense.

Do you feel Emma’s openness lends itself to accept a bipolar person intimately into her life despite his involuntarily asylum stay? There’s many that would have second thoughts after seeing someone forcibly institutionalized but you decide to donate Ben $5,000 dollars for his student film.

Yeah, I feel Emma’s seen a lot of different types of people and has a deep well of empathy & understanding for people. She kind of sees that with Ben but I also think it’s matched with Ben’s acceptance of her and building her up. Which I don’t think she’s had a lot of in her own life. It’s the perfect combination of both of them meeting each other exactly where they’re at, building each other up, and ultimately eventually move on in their own lives.

Ellen Toland as Emma Taylor, Aaron Fisher as Ben Glass in film, Inside the Rain - Photo Credit: Art 13

Ellen Toland as Emma Taylor, Aaron Fisher as Ben Glass in film, Inside the Rain – Photo Credit: Art 13

What was it like shooting the scene where Emma’s having dinner with Ben’s parents and mentions she works at a strip club?

Yeah, Cathy [Curtain] and Paul [Schulze] were lovely, it was great to work with them for a little bit!

I think my choice going into the dinner was that Emma hadn’t been introduced to a lot of parents and treated normally. She’s meeting their possible judgment by just really owning it and trying to almost test them out too and see how they’re going to react. When it’s met with genuine acceptance as well, she’s pleasantly surprised. Shooting that scene was really fun and the restaurant was very sweet to us as well, we ate a huge meal! [laughs] That was great, never bad to get to eat on set, you know?

Catherine Curtin as Emma Glass and Paul Schulze as David Glass in film, Inside the Rain - Photo Credit: Art 13

Catherine Curtin as Emma Glass and Paul Schulze as David Glass in film, Inside the Rain – Photo Credit: Art 13

I saw an interview with you and Aaron Fisher where he said, ‘During auditions it just kept going back to Ellen, Ellen, Ellen!’ What do you think was that X-Factor won you the role?

Ultimately, I feel Aaron and I had a pretty natural chemistry. One that you can’t really manipulate with actors necessarily. All the pieces fell together. We really had a good energy together and you really need that in a romance. (laughs)

Inside the Rain left things a little bit open ended for the ending. Why do you feel the choice was made not to send the audience home feeling ‘warm and fuzzy’ with a full happy ending?

I mean I think it was also being realistic to what really would happen in real life. Aaron was also basing the film off of his own life. He wanted to play to the truth of that. And I think they both needed to go and own themselves. They’d been given that confidence, and that’s what’s so good about the flash forward at the end.

It showed that that’s why Ben made that choice, that he really could move forward and ended up with the person he was meant to be with. We have people in our life all the time that are just chapters that are meant to lead us to end of our own story, it doesn’t make those chapters any less important.

Ellen Toland as Emma Taylor, Aaron Fisher as Ben Glass in film, Inside the Rain - Photo Credit: Art 13

Ellen Toland as Emma Taylor, Aaron Fisher as Ben Glass in film, Inside the Rain – Photo Credit: Art 13

Inside the Rain feels so much like art imitating life. I have to ask… Is Emma Taylor the real name of the girl portrayed in the film?

Oh, no it’s not her real name! (laughs) It’s loosely based off of someone but it’s definitely not the same name! There’s elements of Aaron’s life in the film, I’d say 60/40 but the film is loosely biographical. Like the last ten years all stirred around into one movie.

Do you feel being aware that Aaron knew this person impacted your interpretation in any way? Or did you still approach the role in the same way you would any other?

You think about it for sure but you also want to create your own vision of it and own that. Aaron and I definitely talked a ton about Emma but he gave him lots of room to make my own decisions. Aaron’s an actor’s director!

There was kind of a frugal moment toward the end at the fast food joint where Emma is adding everything up on her head. It seemed based on those sexually fueled videos she was making outside of her main job and the $5,000 donation that she’d be rich. How do you feel about that scene?

That scene is trying to say that she’s working really hard to get where she is, and knows the worth of a dollar. Feeling at the same time that Ben hasen’t had that kind of struggle. I think you can be making a lot of money and still be frugal. You remember how hard it was to get there.

Why do you feel that despite ‘red flags’ being present, Emma decides to donate the money for Ben’s film? Did Ben’s dream become Emma’s dream and intertwined at that point?

Yeah it all becomes mixed up. I think it also becomes her dream. Emma sees this person that she cares about and understands how important it is to him. There was no too big of a feat to make that dream come true.

Would you like to reprise the character of Emma Taylor potentially in another film?

I love Emma! She’s so brave and strong, I really adore her. If there is an Inside the Rain: Part 2, sure. I mean Aaron and I are really good buds, I love working with him. I’d love to work with him again, of course!

How much of yourself do you see in Emma as a character?

I think that any person you play, you bring an element of yourself. There’s things that are different, there’s things that are the same but I don’t think it’s necessarily conscious. You just bring as much of your research on their perspective of the world as you can. Whether that’s the way you move or even read things. Maybe there’s pieces of yourself in that. It’s a weird little mixed up bag.

Ellen Toland as Emma Taylor, Aaron Fisher as Ben Glass in film, Inside the Rain - Photo Credit: Art 13

Ellen Toland as Emma Taylor, Aaron Fisher as Ben Glass in film, Inside the Rain – Photo Credit: Art 13

I saw you studied over in RADA, one of the best acting schools in the world. How do you feel it established your foundations as an actress?

It was amazing! I loved it, some of the best professors I ever had were there. It was something I’d always dreamt of doing and I loved London. It was a really important step in developing my craft. Everything that people say about it… It’s all true! It did not disappoint.

Thanks Ellen!

Thank you!

Follow Ellen Toland on Instagram and visit her official website for the latest news on her upcoming projects! Visit InsideTheRainMovie.com to learn more about the film.

Read more Film and Television interviews in The Natural Aristocrat’s Interview category section. Be sure to watch The Natural Aristocrat TV with Host Nir Regev interviewing leading talent in the entertainment and sports industry on-camera!

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Marc Menchaca on Alone: ‘Probably, the most physical thing I’ve ever done’ (Interview)

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Marc Menchaca talks Alone - Jules Wilcox and Marc Menchaca in ALONE, a Magnet release. Photo courtesy of Magnet Releasing.
Photo courtesy of Magnet Releasing

Marc Menchaca spoke to The Natural Aristocrat about portraying one of horror’s darkest, colossally twisted villains in Alone and the final, muddied fight being one of the most physically demanding things he’s ever done.

This interview contains spoilers to horror picture, Alone.

The Natural Aristocrat : Your character in Alone caught me off guard a bit because I was so used to Russ Langmore on Ozark. Russ was good natured but troubled, while The Man is pretty much entirely a monster. The sharp contrast was quite jarring. Did you have any outside inspirations for The Man?

Marc Menchaca: They both have some good in ’em! I’m sure elements of other characters were playing subconsciously but I can’t think of something specific off the top of my head. The film had a pretty quick turnaround, so I’d say my inspirations were still within the script.

There’s an intense scene in Alone where The Man is driving and ambushed from behind by Jess. What was it like shooting the scene? Was it primarily a stunt double there?

No, I did all the stunt work in this film outside of one thing. It was definitely intense and it was as fun as can be doing it! The whole film was taxing when it came to the physicality of it. Obviously, the car was controlled as well in that scene. We were able to have a good time with it and thankfully, I didn’t break Jules’ nose or anything in the process.

Jules told The Natural Aristocrat the last fight scene didn’t need any makeup applied, that it was all down in the mud for real. What was it like filming that final climatic 1 on 1 fight between Jessica and The Man?

I think it was probably the most physical thing I’ve ever done. It was raining that day… I’ve never been that muddy in my life, not even as a kid! I remember when I took my coat off at the end it was soaked, it was coated in mud. There was a layer that stripped off. My shoes weighed about 10 pounds a piece and we had these buckets with warm water that we’d place our hands in, in-between takes because it was so cold.

Jules Wilcox in ALONE, a Magnet release. Photo courtesy of Magnet Releasing.

For me, the strongest scene in Alone was when The Man tries to manipulate Robert into believing Jessica is his sister and is having an ‘episode’. Essentially, discrediting Jessica’s story by anchoring it to bipolar disorder. I asked Jules about this moment as well. I was wondering your thoughts, being on the other side of this pivotal scene?

I love that part of the movie because you kind of find out that he’s (The Man) actually a good actor as well. I felt I had to be so convincing in order to get what I wanted. I had to really play that card that she’s actually just off her meds or whatever. I loved that scene in particular. It was just another obstacle to what I needed to get.

Jules Wilcox in ALONE, a Magnet release. Photo courtesy of Magnet Releasing.

Why do you feel Jessica doesn’t take the gun when The Man is offering her a chance or perhaps challenging her to take it? Despite being hurt, it seemed like it was Jessica’ only chance at survival at the time.

You know, that’s a good question! I think because I know that she’s hurt… I think there was a moment in there when he was at his breaking point in that scene. The last thing that can happen for him is to be exposed. There very possibly was an element of ‘Just take me now, and I won’t have to deal with it.’

I thought there were some definite Ted Bundy vibes to The Man when his arm is in the sling and you approach Jessica’s car early in the film. Did you watch any documentary or film footage of him for the role?

No, I didn’t. I know who Ted Bundy is and I will say there was obviously an element of Ted Bundy in this. But I can’t really say I watched him in something beforehand.

You mentioned earlier that you feel there was some good in The Man like Russ Langmore on Ozark. Certainly, The Man’s double life gave him some ambiguity in his other ‘real life’ so-to-speak. He was at a loss for words when Jessica turns the tables and dials up his girlfriend. What did you think about the mysterious nature of the character?

I think it worked for the film, I don’t think we needed to know anymore about him other than what we find out in the phone call. Because then the film would become a completely different film instead of focusing on just the chase. Which is what I really like about the movie, that it just kind of boiled down to the barebones would I think it would have become a completely different film. Instead of focusing on just the chase, which is what I really liked about the movie.

It was just kind of boiled down to this barebones film. This is who this guy is, this is who this girl is, and we’re going to show you this chase that happens! I think that was one of the great things about the film, that you got a little bit of information about both of them. Even though that does inform you about who the characters are, the film doesn’t majorly focus on that part of their lives.

Marc Menchaca in ALONE, a Magnet release. Photo courtesy of Magnet Releasing.

I thought the scene where you first captured Jessica and bring her to that basement was one of the most brutal scenes I’ve seen in any horror film. Everything from the one-minute-too-early 911 call to when you tell her to strip and mock her pleading with you… Jessica’s tragedy with her husband. You just get the sense there’s nothing she can do at all, no immediate escape routes. That’s difficult to accomplish properly for any horror film. How did you feel about the way that whole moment?

Jules Wilcox in ALONE, a Magnet release. Photo courtesy of Magnet Releasing.

I feel what happens in the basement is you’re seeing The Man be intimate, it’s another thing for her but that was The Man’s way of intimacy. I think he finds peace in that grotesque manipulation.

Would you like to make a cameo in the last season of Ozark? A flashback maybe?

I’d love to! Put the word out!

Thanks Marc!

Thank you!

Theatrical one-sheet for ALONE, a Magnet release. Photo courtesy of Magnet Releasing.

Alone Trailer and Where to watch the Film:

Be sure to follow Marc Menchaca @marcmenchaca and the film’s official account, @AloneMovie, on Twitter!

Alone can be seen now in select theaters and on Video On Demand services. Rent Alone on Amazon today!

Disclosure: TheNaturalAristocrat.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.

– Be sure to read more interviews with the entertainment industry’s top talent in The Natural Aristocrat®’s Interviews section.

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Jules Willcox talks Alone, breaking her foot for real in film (Interview)

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Jules Wilcox in ALONE, a Magnet release. Photo courtesy of Magnet Releasing.
Photo courtesy of Magnet Releasing

Jules Willcox spoke to The Natural Aristocrat about portraying Jessica in Alone, one of 2020’s darkest psychological thrillers, and breaking her foot for real during shooting in a reversed ‘life imitates art’ moment.

This interview contains spoilers to horror picture, Alone.

Jules Willcox illuminates Alone with her portrayal of Jessica, a woman forsaken by fate. You never know when you’ll meet the wrong person that sets off internal alarm bells across your chest. When you can’t shake an icy gut feeling about an unsavory individual. What if every cloudy intuition, every ‘don’t talk to strangers’ childhood lesson you ignored ended up being true? Perhaps, no scene in Alone encompasses this better than when Jessica believes her car is being followed by the film’s unknown antagonist and dials 911. She informs the operator it’s a false alarm after the car behind her passes but it wasn’t… Jessica had just dialed a minute too early.

Thus, the audience can easily place themselves into Jessica’s shoes, their worst fears escaping the nightfall jail of their 3 AM nightmares. Forcibly shipwrecked on land via a slashed tire. Only the will to live, to survive, driving Jessica to escape her island, her captivity in an unmarked basement. After all, if you scream in a forest and nobody is around to rescue you, did you really make a sound?

Interview with Jules Willcox:

Jules Wilcox in ALONE, a Magnet release. Photo courtesy of Magnet Releasing.

The Natural Aristocrat : For me, the strongest scene in Alone is post-escape when The Man claims you’re his mentally ill sister and that you’re having ‘another episode’ to a third party. Naturally, the third party (Robert) is confused & unsure who’s telling the truth. There’s so many layers to this twisted interaction. It’s a commentary about society not explicitly believing those perceived to have bipolar disorder or otherwise. As if the label disqualifies their credibility instantly. What was it like shooting that moment?

Jules Willcox: It shows how manipulative Marc’s character is… He’s playing chess, you know? I don’t even think Jessica realizes how sick of an individual he is! He really took it to another level. In a way, it also presents Jessica as an unreliable narrator of her own story.

It was a tricky scene and it showed what depths The Man was willing to go down to. He was working on a physical level and on a psychological level. It’s not only ‘Woman Against Nature’ as we find with the river scene but ‘Woman vs The Physicality of a Man’ & also on a mental level.

When Jessica takes that big plunge into the river, was that you or a stunt double?

It was both, Michelle Damis was my stunt double and she is incredible! Michelle had to do quite a bit more than she thought she was going to do because I broke my foot in the second week of filming. So, two thirds or three quarters actually of the film I’m in a walking boot which you can’t see in the final edit.

You broke your foot while filming on-set?

It happened during filming, it happened during a stunt. It was just a freak thing! I was running barefoot in a cleared path, when I was running away from The Man and getting out of the house, and we went for a couple of takes. Then they’re like, ‘Let’s do one more and then we’ll throw your shoes back on,’ you know because they wanted to see the bare feet. The stunt coordinator was amazing and he had cleared everything, and we’d walked the path several time. And that one last time… I hit a root that was sticking up out of the Earth!

Jules Wilcox in ALONE, a Magnet release. Photo courtesy of Magnet Releasing.

Wow, so it was practically just like what happens in the movie?

Yeah, we had to improvise because the really bad wound that Jessica was supposed to have, was the gunshot through the shoulder. But because I broke my foot, we had to put that limp in that I naturally had. That’s when they rewrote the scene of Jessica stepping on that.

I thought the opening of Alone was captivating. The film was really able to build this foreboding sense of being stranded just like its namesake. What was your routine to get into this anxious, panicked state for each take?

We were shooting in the Pacific Northwest and it was beautiful of course and it’s wide open. I was living in Manhattan at the time so I didn’t have a ton of time to prep on the film. It happened really fast! So, I flew out to Oregon, and I’d worked with the director before on a television show. They needed an actor who could do all the grueling physical stuff and also the emotional stuff, and so he contracted me to do it. I really connected to the grief that Jessica was experiencing. We’ve all experienced grief in our life and it’s such a universal experience. She’s really running away from her grief in the beginning with her husband killing himself.

Jessica’s wanting to get a new start, she’s not wanting to talk her mom because her mom is going to want to talk about things and emotions… And she doesn’t want to deal with all that. When you’re alone, you’re confronted with the truth in your mind whether you like it or not. I think Jessica does whatever she can to try to push things away. But ultimately, having The Man show up, forces her into a very present state, where she has to be active. She has to fight.

I think I really prepared by being in nature, it’s such a beautiful place. You wake up really in the morning, 4 AM, whenever the call time wise and watch the sunrise. I’d just put myself in the circumstances of where Jessica was, having lost someone and trying to escape from that.

The scene where Jessica freaks out initially and calls 911 when she thinks she’s being followed really throws viewers into a loop. For a second when the car passes, you really think she’s okay. Then the film pulls the rug under out from viewers, before relief washes over the audience. What did you draw on outside of the script to craft that moment?

We question ourselves all the time when something really crazy happens or even just in an abnormal way. I find myself wanting to have the benefit of the doubt for the other person, probably because I’m mid-western! (laughs) Surely, they didn’t mean that! There’s a little bit of, ‘Am I blowing this out of proportion?’ There’s a little bit of her questioning herself and I can connect to that in my own mind. Can people really have such harsh, mean intentions? I’m a glass half-full person, so I hope for the best! I think in that scene there’s almost a disappoint when seeing, oh that wasn’t what I thought, maybe I am ‘blowing this out of proportion.’

Jules Wilcox in ALONE, a Magnet release. Photo courtesy of Magnet Releasing.

Have you ever had such a gut instinct about person like Jessica does in the film? There was some definite Ted Bundy vibes when The Man approaches Jessica’s car with his arm in a sling and asks for assistance.

Gosh… I think probably in the early days of moving to Hollywood! (laughs) Again, being a midwestern girl, I had to be quite careful and skeptical of people’s intentions. We were actually shooting when all the Weinstein stuff was coming out, really the height of the Me Too movement. We talked about that a lot, all the gas-lighting of women and how they’ve been taken advantage of for so long. I’m from Missouri, the ‘Show Me’ state, ‘Show me who you are with your actions.’

Jules Wilcox and Marc Menchaca in ALONE, a Magnet release. Photo courtesy of Magnet Releasing.

I’m curious how were you able to film that final fight scene with a broken foot? Were the scenes shot in narrative order?

We shot in order, which was crazy! I was in the Whitewater rapids with a broken foot, with a boot on. (laughs) Our stunt coordinator would help me. I was in crutches most of the time with the boot, and the stunt coordinator who’s just a massive human being, lifted me up and put me in the water. (laughs) I knew he felt bad every time he did it because it was so cold, we were shooting in November in the Pacific Northwest.

Director John Hyams filming a scene for ALONE, a Magnet release. Photo courtesy of Magnet Releasing.

That last fight scene was on our last day of shooting. We had rehearsed the fight in the fight coordinator’s jiu jitsu gym. We practiced on mats several times, and between me and Michelle my stunt double, we just did it all. It’s also choreographed to be very scrappy. We’re not professional fighters, Jessica doesn’t have any training. She is just relying on pure adrenaline and at that point, so was I. We were in our costumes, I also had layers of freezing cold mud.

So that wasn’t makeup on your face, that was legit mud?

(laughs) Oh, it was legit! That was legit! When I was crawling out of the car, they were like, okay are you ready? I was like ‘Oh jeez, I’m putting my face in mud!’ My skin has never looked so good, it’s like a spa treatment. But the mud weighs a lot, once it starts caking on to your clothing, so the movement starts to get so much harder. You’re like basically caked down in clay.

You’re rolling around on the ground, the kind of stuff that Michelle, the stunt person would be doing would be like kicking with both legs because I could only kick with one leg. We really went for it! Thank God it was all on the last day because I was exhausted after! (laughs)

Why do you feel Jessica doesn’t go for the gun when The Man offers her an opportunity to even out the playing field in the forest?

I think at that point, she didn’t trust him at all. There’s a perceived opening but why is that and why? She’s going by instinct, period.

The scene where The Man takes Jessica to the basement is one of the most brutal scenes I’ve seen in a horror movie because it looks like she has zero chance. Usually horror movies leave the door open a little bit but Alone makes it clear Jessica has nowhere to go, no immediate escape routes, nothing to plead with her captor… Then The Man tells you to “remove your clothes.” Viewers are definitely going to have strong, unsettling feelings about that whole section. What was it like filming such a traumatic moment?

Yeah, she’s caught in a trap, Jessica’s a helpless animal at that point! She’s just trying to do whatever she can do… You know, she asks The Man, ‘Can I go to the bathroom?’ to buy time. You’re left wondering, how many people has this happened to?

Jules Wilcox in ALONE, a Magnet release. Photo courtesy of Magnet Releasing.

A friend of mine, he’s a playwright, wrote a play about a person being held captive because he was so influenced and traumatized by those young women who were held captive in Cleveland. They were released several years later. Unfortunately, this happens, these things happen. I really had to put myself in this person’s shoes, what are you going to do? How can I manipulate in any way? Can I beg, can I plead? She does all this and there’s utter hopelessness at this point.

You understand that it’s not just brute force he’s after… He’s playing this sick mental game by leaving her there, and confronting her with her emotional trauma, as opposed to physical trauma. I truly think The Man is one of the most evil characters I’ve ever seen, just how twisted and dark he goes. And Marc Menchaca is the most lovable person on the planet!

Marc Menchaca in ALONE, a Magnet release. Photo courtesy of Magnet Releasing.

I was definitely surprised because I was so used to Marc Menchaca’s character on Ozark!

I know! (laughs) He does such a great job. That monologue when I’m in the bog in the forest is just pure evil!

Did you enjoy Jessica’s final revenge on The Man, when she calls his girlfriend?

Oh yeah! I think what was so shocking is when Jessica escapes, she can hear The Man talking on the phone and his life is totally normal. He’s making a sandwich. It’s like ‘Hey Buddy, you know that normal life you think you can have? No way! That doesn’t exist anymore!” At that point she thinks ‘I’m going to die. Hopefully, someone will come to get me but if this guy is coming after me, I’m definitely going to try to kill him.

I’m going to try to survive! But odds are… I’m not going to make it. So I need somebody to get my body and get Robert’s body and let Robert’s wife what has happened to him.’ Jessica’s an ethical person, she’s not like The Man. She’s trying to escape at the beginning but she’s moved by the kindness of strangers, by Robert taking her in and helping her. Even though she’s skeptical because she’s been through so much.

At first, when Jessica gets in the car with Robert post-escape, I thought he was going to drive her right back to The Man. That Robert was in on it. Did you think that’s where the story was heading initially?

Oh God, I’m glad you think that because I thought that too when I was reading the script the first time! (laughs) ‘Oh no! He’s in on it!’

I felt The Man’s civility while on the phone with his girlfriend, preparing the sandwich was part of what made Alone work as a film. It was just so convincingly real, you’re left wondering, ‘How many people like this live double lives?’ It reminded me of the film The Strangers a lot, that film also didn’t give direct names to its antagonists, preferring Man in Mask, Dollface, Pin-Up Girl like The Man in Alone.

Yeah, it’s this alter-ego. It’s not who he is in ‘real life’ but what he does on the side ‘anonymously’. There was the documentary recently on HBO about the Golden State killer (I’ll Be Gone in the Dark) and The Man reminded me of that. That somebody could have this kind of evil double life.

I feel Alone’s grounding in reality will hit people harder because they can picture the possibility of it happening to them. No matter how low the percentage of that is… The situation is not impossible and that stays in your mind. It resonates with a person’s core fears of random strangers.

I think during this time in quarantine, when people are feeling isolated and alone the film is timely in a way. As if we’re confronting ourselves.

Thanks Jules!

Thank you!

Theatrical one-sheet for ALONE, a Magnet release. Photo courtesy of Magnet Releasing.

Alone Trailer and Where you can watch the Film:


Follow Alone star Jules Willcox on Twitter and Instagram! Be sure to also follow @AloneMovie on Twitter!

Alone can be seen now in select theaters and on Video On Demand services. Rent Alone on Amazon today!

Disclosure: TheNaturalAristocrat.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.

– Check out The Natural Aristocrat®’s exclusive interview with one half of tomandandy’s composing duo, Tom Hajdu, on The Strangers soundtrack.

– Be sure to read more interviews with the entertainment industry’s top talent in The Natural Aristocrat®’s Interviews section.

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Fantasia 2020: Kakegurui is a Flashy Joyride, Cult Classic (Review)

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Minami Hamabe as Yumeko Jabami in Kakegurui - Photo Credit: GAGA International Sales
Photo Credit: GAGA International Sales

Kakegurui is dripping with personality, its ‘gambling meets private school’ premise an instant conversation piece. Actress Minami Hamabe shines as calculated, seemingly reckless gambler, Yumeko Jabami. While Murasame’s struggle to never gamble again, shows the low points of moralistic Solipsism when faced with external stimuli. When you take the higher ground all the time, there’s nowhere to go but down…

This impressions review contains spoilers to the live-action film adaption of Kakegurui. The film screened at this year’s Fantasia International Film Festival.

Kakegurui leaps into its high stakes rollercoaster immediately from curtain open, no waiting around for long winded narratives, the way a good bet should be. Instant gratification. The film introduces a private high school where students either gamble away their lives with a misplaced wager or prosper off the misery of others by reigning victorious. In Kakegurui’s ultra capitalistic hierarchal system, for someone to enjoy immense wealth and a great life, someone else must sit at their heel.

Students that gamble and lose, sit in debt, while being humiliated by their classmates as servile “Doggies” & “Kitties” (as they’re called in the film). They find themselves working under the boot of their richer & higher status superiors, while being mocked for it. A subtle allegory to current society perhaps, and a cruel twist of fate. Or Lady Luck, depending on how you look at it.

There is no ‘fairness’ in Kakegurui, in fact, one character named Itsuki Sumeragi pays her peers to let her win and buys student electoral votes. Sumeragi even has a pricey humanoid robot as her partner, showing that those who came with means to the school have a clear advantage. Circumstances do not reset to zero upon admission and this has a linear impact on the student’s success in Kakegurui. Even the odds can be shaped in one’s favor through various means of manipulation, either through currency or deceit.

Minami Hamabe as Yumeko Jabami in Kakegurui – Photo Credit: GAGA International Sales

The system is mostly unfettered and runs unrestricted outside of the whims of Student Council President Kirari Momobami . Who did a great job of portraying the school’s sophisticated, untouchable queen bee, reminiscent of Erina Nakiri on anime series Food Wars!

Those that abstain from gambling in life, end up doing so indirectly

For every standard bearing culture and pecking order, there’s a counter culture brewing by those disfranchised by their position in the hierarchy. Enter ‘The Village’ a group of students led by Jueri Arukibi , a cult-like group dressed all in white who’ve declared abstinence from gambling. Arukibi attempts to recruit the best gambler on campus (outside of the Student Council’s President), Yumeko Jabami to their cause, an important point later in the film. Arukiba promises to rescue those who’ve fallen prey to their gambling debts, shielding them through sheer number against their ‘debtors’ inside ‘The Village’. Wearing all white Arukiba appears to be morally righteous at first.

The Village’s true leader however is Amane Murasame, who secretly once defeated the Student Council President Kirari Momobami and left gambling behind. Murasame’s driving force was his sister’s debts, which he wiped clean with a victory against Kirari but it was not enough to save his sister from her own shame. She jumps off a staircase with Murasame desperately trying to grab her, falling himself. Murasume receives a permanent scar from the event.

Yumeko Jabami goes into a confessional-like area to prod Murasame to return to gambling during a visit to The Village but he stays silent. The wildly unpredictable Yumeko Jabami comments earnestly that all she wants is some good desserts in the school cafeteria. That it is ‘such a shame a fine school would have such mediocre desserts’, one of the only times in the film Murasame smiles.

Minami Hamabe as Yumeko Jabami in Kakegurui and Hio Miyazawa as Amane Murasame – Photo Credit: GAGA International Sales

The Student Council decrees new elections through a combination of votes and gambling duels to those seeking power. While at the same time, threatening to throw a wrecking ball at The Village. Forced eviction. Thus, The Village has two choices, go down as pacifists, or gamble to change the culture and direction of their school by gaining power themselves. In Murasame’s words, he would just become another kind of monster should he gain power.

Eventually however, he comes to Arukiba’s ‘rescue’ fearing The Village will be destroyed without his intervention. Only to be betrayed in one of the film’s biggest twists. Arukiba, who loses to a game of Blackjack to Kirari (21) at the onset of Kakegurui, was intentionally throwing their paired game against Yumeko Jabami and her plucky, always worried sidekick Ryota Suzui . Arukiba believed humiliating Murasame in front of Kirari would win her favor… But Jabami accurately saw the move as cheating the thrill of gambling, deciding to play to lose herself to nullify it. Murasame takes the ultimate victory and with the blank life slate/book, writes Yumeko Jabami’s wish for better desserts as his only wish.

Minami Hamabe as Yumeko Jabami is a definitive highlight

Actress Minami Hamabe is exceptionally charming as Yumeko Jabami, frankly taking the spotlight of every scene she’s in. It’s of no surprise there’s already a 2021 sequel in the works for Kakegurui because Minami Hamabe can carry this live-action adaption of the franchise to new heights. Excellent facial expressions, a lot of likeability factor you can’t teach in acting class. Minami’s high point comes with a monologue to Murasume about no one ever actually wanting to be ‘saved.’ That there would be no fun in having someone else have that level of control in your life.

Yuma Yamoto as Jun Kiwatari was also a standout in the film, doing a lot of physical acting, noticeably advanced body language work when he’s on-screen. He added a lot of humor to Kakegurui.

Keep in mind… Kakegurui is quite faithful to an anime structure on-screen, meaning there are some exaggerated mannerisms by some characters. Depending on if you’re a fan of Anime, you’ll either see it as entertaining or overacting.

Kakegurui’s appeal is in its Japanese presentation and flashy style. From the clothes, sets, art style to even actress Yurika Nakamura (Sayaka Igarashi) saying “Open” a certain way at every card set.

Conclusion:

If you’re looking for a fresh premise with a twist, are a gambling aficionado, and constantly in-motion, high stakes entertainment. Kakegurui is a sure bet. A cult classic in the making.

Minami Hamabe as Yumeko Jabami on Kakegurui Film Poster – Photo Credit: GAGA International Sales

– Follow the film @kakegurui_jp on Twitter and visit the official website, kakegurui.jp to learn more about the film. The film is directed by Tsutomu Hanabusa and distributed worldwide by GAGA Corporation.

– Follow lead actress Minami Hamabe on Twitter, Instagram, Facebook, and her official website.


– Learn more about the films that screened at Fantasia International Film Festival 2020 at this link. Kakegurui screened at Fantasia Fest 2020 on August 26th at 19:00.

Be sure to read Fantasia Fest 2020: Tezuka’s Barbara is a stylish, decadent elixir of dystopian cool (Review) and more coverage of Fantasia Fest at The Natural Aristocrat®’s Fantasia International Film Festival 2020 section.

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