Connect with us
Japan Society's 4K Film Restoration of Tora-san Meets His Lordship (1977) - From left to right: Kanjûrô Arashi as Tonosama and Kiyoshi Atsumi as Torajirō Kuruma - Photo Credit: © Shochiku Co., Ltd. Japan Society's 4K Film Restoration of Tora-san Meets His Lordship (1977) - From left to right: Kanjûrô Arashi as Tonosama and Kiyoshi Atsumi as Torajirō Kuruma - Photo Credit: © Shochiku Co., Ltd.

Film

Japan Society: ‘Tora-san Meets His Lordship’ 4K Restoration Impressions

Photo Credit: © Shochiku Co., Ltd.

Published

on

Japan Society presented a fresh 4K restoration of 1977 film ‘Tora-san Meets His Lordship’ last month, a picture that truly teeters on the tightrope between comedy and tragedy.

While Tora-san Meets His Lordship’s 4K restoration at Japan Society opened to roaring crowd laughter with a quaint parody right off the gate… The film soon descended into the depths of calamity and ego humiliation that could make a Greek tragedy playwright blush. If Tora-san’s Runaway pulled the band aid of Tora’s hope for love right off, Tora-san Meets His Lordship might as well have taken an arm and leg. It’s teased in the movie that Tora will finally be given a real chance at romance and marriage. That the sun gently dances with him instead of upon him for the first time.

It’s all an elaborate ruse to trick both Tora and the audience as the picture soon pulls the rug out from under its plucky hero and its followers… Then kicks them out the door to a desolate, unforgiving cold world. Their only possession? A non-refundable bouquet of roses with no one to give it to. Though Torajiro ‘Tora’ Kuruma played by actor Kiyoshi Atsumi is happy go-lucky in nature, the ‘loss of face’ in this picture is astronomical.

From his family not so secretly naming a stray dog after Tora, to being made to feel he will never be good enough to win a wife’s hand at the film’s conclusion. That any figurative ring will forever stay in its box, gathering dust… As yet another suitor is forever picked over him. All the while Tora has to pin a smile on his face out of polite civility. A mental torture of an exercise seemingly drawn up in the depths of an imagined Hades. Tora, the perennial vagabond has to eternally watch others enjoy dinner and courtship together through a window.

Tora-san Meets His Lordship’s strategic ploy to game the audience

Tora-san Meets His Lordship (1977) - Kyōko Maya as Mariko Tsutsumi - Screenshot/Photo Credit: © Shochiku Co., Ltd.

Tora-san Meets His Lordship (1977) – Kyōko Maya as Mariko Tsutsumi – Screenshot/Photo Credit: © Shochiku Co., Ltd.

Mariko Tsutsumi [Kyôko Maya], a widow, is at the heart of Tora’s affections in Tora-san Meets His Lordship. Initially, Tora is asked by a local daimyō (Feudal style Lord) named Tonosama [Kanjûrô Arashi] to help him located his recently deceased son’s widow. At first, Tora takes the search in stride, deciding on a youthful plan to literally visit every residence, house, or store until a ‘Mariko’ is discovered. Just when Tora’s resolve begins to waver after hours of searching the first night, Mariko happens to show up on her own. Tonosama is called upon to meet Mariko while Tora is slowly but surely falling love with her.

Tonosama sheds tears, commenting that Mariko must have taken great care of his son before his passing. In a letter penned later in the film, he invites Mariko to live with him at his mansion-like residency. Even requesting she marry a new husband, with an exceptional specific recommendation. At first Tora’s rage is brewing inside of him, worrying at who this ‘chosen one’ would be… Until a sparkling revelation that the Lord’s recommendation for Mariko’s new husband is Tora himself!

Tora-san Meets His Lordship (1977) - Kanjûrô Arashi as Tonosama - Screenshot/Photo Credit: © Shochiku Co., Ltd.

Tora-san Meets His Lordship (1977) – Kanjûrô Arashi as Tonosama – Screenshot/Photo Credit: © Shochiku Co., Ltd.

Tora’s sister Sakura [Chieko Baishô] decides to personally deliver the request to Mariko’s work place, sans mention of marriage but with a hint of an additional request. Mariko arrives to Tora’s household to politely decline the request to move to the Lord’s house as she’s recently fallen in love with another worker. Shattering Tora’s heart into a million pieces to be swept off the floor casually, broom in tow, out of civility. Tora and his sister Sakura never mention the Lord’s request of Tora as her new husband. He simply sits smiling out of necessity, nothing left inside.

Tora-san Meets His Lordship (1977) - From left to right: Kyōko Maya as Mariko Tsutsumi and Kiyoshi Atsumi as Torajirō Kuruma - Screenshot/Photo Credit: © Shochiku Co., Ltd.

Tora-san Meets His Lordship (1977) – From left to right: Kyōko Maya as Mariko Tsutsumi and Kiyoshi Atsumi as Torajirō Kuruma – Screenshot/Photo Credit: © Shochiku Co., Ltd.

Tora-san Meets His Lordship ends on a comedic high-note of the Lord Tonosama wanting Tora to live with him anyway even without Mariko… And Tora wanting to leave as soon as possible as he’s chased by Tonosama’s assistant to stay. The real meat and potatoes of Tora’s struggle however, somebody to love him back, remains unresolved. A distant hope, that becomes more dream than reality everyday.

Be sure to read The Natural Aristocrat’s impressions of Tora-san’s Runaway 4K Film Restoration at Japan Society!

NYC locals! Follow along Japan Society’s busy Film Schedule and attend a future film screening.

Comments

Film

Ellen Toland talks Inside the Rain, objectification and job titles (Interview)

Published

on

Ellen Toland as Emma Taylor in film, Inside the Rain - Photo Credit: Art 13
Photo Credit: Art 13

Ellen Toland spoke to The Natural Aristocrat about Inside the Rain’s Emma Taylor and society’s inability to separate job title from human being leading to a culture of objectification.

Ellen Toland’s Emma Taylor in new film Inside the Rain is a quiet looking glass into the day-to-day treatment of commodified human beings. When the fantasy of body sushi and the gentlemen’s club ends and a person trying to resume their regular life off-the-clock begins. Yet, separating the person from their job title appears a distant hope, like spotting individual blades of grass outside. It’s for this reason, among many others, that Emma Taylor finds comfort in another person pre-judged by society. One born with bipolar disorder and treated as such at all times to personal detriment. Even scorned in suspicion for taking their medication due to repetitional bias.

Meet Ben Glass, Inside the Rain’s lead protagonist. Ben is largely defined by one act during Into the Rain, an attempted suicide via overdose. In turn, Ben is later accused of another such attempt when he’s spotted simply organizing his medicine for the week… Leading to an unjust arrest and potential exclusion from university. Thus, Ben Glass decides to make a film about all the events leading up to the arrest as a proactive visual defense. Better Call Saul’s Jimmy McGill once told Scholarship interviewee Kristy Esposito that, ‘You made a mistake and to them that’s all you’ll ever be,’ and it feels highly applicable to Inside the Rain’s plot. Much like Jimmy tried to drive Kristy to fighting forward even without the scholarship, Emma Taylor feels Ben can be advance forward in his life without going back to a University that preemptively shunned him.

This interview contains spoilers for Inside the Rain.

Interview with Ellen Toland on Inside the Rain’s Emma Taylor:

Ellen Toland as Emma Taylor in film, Inside the Rain – Photo Credit: Art 13

Nir Regev [The Natural Aristocrat]: A good portion of TV & Film audiences are unable to disconnect the character they see on-screen from an actor in real life. During Inside the Rain, these fraternity looking, rich jocks bother Emma Taylor outside of the strip club she works at. Unable to separate the fantasy of body sushi from a regular person having a smoke after work. I was wondering how you feel about that?

Ellen Toland: Oh, that’s a really, really good question. I think that’s a feminine issue especially and it’s pretty ingrained in masculine culture. To objectify women, having a hard time separating the fact that they are not an object and something to toy with. I feel that’s what that scene really plays upon because those guys definitely don’t see a difference between a human being and their sushi tray.
And I think that’s a real issue with our culture in general.

It’s something that people really need to assess within themselves. I think that happens with people and titles of their jobs in the first place too. We don’t see past the title of what people do, and we make that their entire identity… And then treat them with that sense.

Do you feel Emma’s openness lends itself to accept a bipolar person intimately into her life despite his involuntarily asylum stay? There’s many that would have second thoughts after seeing someone forcibly institutionalized but you decide to donate Ben $5,000 dollars for his student film.

Yeah, I feel Emma’s seen a lot of different types of people and has a deep well of empathy & understanding for people. She kind of sees that with Ben but I also think it’s matched with Ben’s acceptance of her and building her up. Which I don’t think she’s had a lot of in her own life. It’s the perfect combination of both of them meeting each other exactly where they’re at, building each other up, and ultimately eventually move on in their own lives.

Ellen Toland as Emma Taylor, Aaron Fisher as Ben Glass in film, Inside the Rain – Photo Credit: Art 13

What was it like shooting the scene where Emma’s having dinner with Ben’s parents and mentions she works at a strip club?

Yeah, Cathy [Curtain] and Paul [Schulze] were lovely, it was great to work with them for a little bit!

I think my choice going into the dinner was that Emma hadn’t been introduced to a lot of parents and treated normally. She’s meeting their possible judgment by just really owning it and trying to almost test them out too and see how they’re going to react. When it’s met with genuine acceptance as well, she’s pleasantly surprised. Shooting that scene was really fun and the restaurant was very sweet to us as well, we ate a huge meal! [laughs] That was great, never bad to get to eat on set, you know?

Catherine Curtin as Emma Glass and Paul Schulze as David Glass in film, Inside the Rain – Photo Credit: Art 13

I saw an interview with you and Aaron Fisher where he said, ‘During auditions it just kept going back to Ellen, Ellen, Ellen!’ What do you think was that X-Factor won you the role?

Ultimately, I feel Aaron and I had a pretty natural chemistry. One that you can’t really manipulate with actors necessarily. All the pieces fell together. We really had a good energy together and you really need that in a romance. (laughs)

Inside the Rain left things a little bit open ended for the ending. Why do you feel the choice was made not to send the audience home feeling ‘warm and fuzzy’ with a full happy ending?

I mean I think it was also being realistic to what really would happen in real life. Aaron was also basing the film off of his own life. He wanted to play to the truth of that. And I think they both needed to go and own themselves. They’d been given that confidence, and that’s what’s so good about the flash forward at the end.

It showed that that’s why Ben made that choice, that he really could move forward and ended up with the person he was meant to be with. We have people in our life all the time that are just chapters that are meant to lead us to end of our own story, it doesn’t make those chapters any less important.

Ellen Toland as Emma Taylor, Aaron Fisher as Ben Glass in film, Inside the Rain – Photo Credit: Art 13

Inside the Rain feels so much like art imitating life. I have to ask… Is Emma Taylor the real name of the girl portrayed in the film?

Oh, no it’s not her real name! (laughs) It’s loosely based off of someone but it’s definitely not the same name! There’s elements of Aaron’s life in the film, I’d say 60/40 but the film is loosely biographical. Like the last ten years all stirred around into one movie.

Do you feel being aware that Aaron knew this person impacted your interpretation in any way? Or did you still approach the role in the same way you would any other?

You think about it for sure but you also want to create your own vision of it and own that. Aaron and I definitely talked a ton about Emma but he gave him lots of room to make my own decisions. Aaron’s an actor’s director!

There was kind of a frugal moment toward the end at the fast food joint where Emma is adding everything up on her head. It seemed based on those sexually fueled videos she was making outside of her main job and the $5,000 donation that she’d be rich. How do you feel about that scene?

That scene is trying to say that she’s working really hard to get where she is, and knows the worth of a dollar. Feeling at the same time that Ben hasen’t had that kind of struggle. I think you can be making a lot of money and still be frugal. You remember how hard it was to get there.

Why do you feel that despite ‘red flags’ being present, Emma decides to donate the money for Ben’s film? Did Ben’s dream become Emma’s dream and intertwined at that point?

Yeah it all becomes mixed up. I think it also becomes her dream. Emma sees this person that she cares about and understands how important it is to him. There was no too big of a feat to make that dream come true.

Would you like to reprise the character of Emma Taylor potentially in another film?

I love Emma! She’s so brave and strong, I really adore her. If there is an Inside the Rain: Part 2, sure. I mean Aaron and I are really good buds, I love working with him. I’d love to work with him again, of course!

How much of yourself do you see in Emma as a character?

I think that any person you play, you bring an element of yourself. There’s things that are different, there’s things that are the same but I don’t think it’s necessarily conscious. You just bring as much of your research on their perspective of the world as you can. Whether that’s the way you move or even read things. Maybe there’s pieces of yourself in that. It’s a weird little mixed up bag.

Ellen Toland as Emma Taylor, Aaron Fisher as Ben Glass in film, Inside the Rain – Photo Credit: Art 13

I saw you studied over in RADA, one of the best acting schools in the world. How do you feel it established your foundations as an actress?

It was amazing! I loved it, some of the best professors I ever had were there. It was something I’d always dreamt of doing and I loved London. It was a really important step in developing my craft. Everything that people say about it… It’s all true! It did not disappoint.

Thanks Ellen!

Thank you!

Follow Ellen Toland on Instagram and visit her official website for the latest news on her upcoming projects! Visit InsideTheRainMovie.com to learn more about the film.

Read more Film and Television interviews in The Natural Aristocrat’s Interview category section. Be sure to watch The Natural Aristocrat TV with Host Nir Regev interviewing leading talent in the entertainment and sports industry on-camera!

Continue Reading

Film

Domenick Lombardozzi in Cold Pursuit: Fantasy football and loyalty

Published

on

Domenick Lombardozzi in Cold Pursuit: Fantasy football and loyalty - Nicholas Holmes as Ryan Calcote and Domenick Lombardozzi as Mustang - Screenshot Photo Credit: Summit Entertainment / StudioCanal
Screenshot Photo Credit: Summit Entertainment / StudioCanal

Draft picks in fantasy sports act as surrogates to the type of person you really are. “Well, they’re my home team. What’s a man without loyalty?” – Mustang’s [Domenick Lombardozzi] double entendre in Cold Pursuit.

This article contains spoilers for 2019 film, Cold Pursuit.

Around the 34:15 minute mark of Cold Pursuit, there’s a seemingly innocent but meaningful conversation between ‘senior enforcer’ Mustang [Domenick Lombardozzi] and his boss’ young son Ryan Calcote [Nicholas Holmes]. Mustang requests advice from the prodigy-like youngster for his Fantasy Football league… Demoralized by constant losing. “I can’t… I can’t win a game.”

Ryan inquires if Mustang is playing for money, testing the waters as he examines the squad. Mustang confirms and the youngster immediately notices a pattern, “You have four Cleveland Browns on your team.” In effect, Mustang has placed all his eggs in one basket, hedging his bets entirely on the whims of one battalion for victory. Mustang responds, “Well, they’re my home team. What’s a man without loyalty?” In essence, clearly identifying what kind of person Mustang is and gives him away. Loyal to a fault, always going down with the ship… Even when there’s a life raft within fingertips’ reach.

Nicholas Holmes as Ryan Calcote and Domenick Lombardozzi as Mustang – Screenshot Photo Credit: Summit Entertainment / StudioCanal

As such, Ryan tells him, “I can’t help you,” sensing Mustang to be a lost cause. If Mustang had approached his fantasy football team in a black and white, unattached, purely mathematical stats-based manner… He’d likely be on the road to gridiron victory already. However, Mustang let the emotional attachment of his home team get the better of him to personal financial detriment. He was willing to sacrifice both his wallet and perception as a skilled drafter to colleagues/friends in order to appease players he’d never even met.

Thus, being accepted as a Cleveland Browns supporter by some invisible corporate eye is more important to Mustang than any kind of personal gain. This mentality equals a favorable feeling to losing ‘honorably’ as part of a team, instead of ‘dishonorably’ winning as an individual. Without giving too much away from the the film, Domenick Lombardozzi’s Mustang would go on to experience loss in other areas of life than fantasy football in Cold Pursuit. It raises the question, at what times is social acceptance more important than individual success?

Watch the memorable acting scene featuring Domenick Lombardozzi & Nicholas Holmes in Cold Pursuit, now streaming on HBO Go and available to rent or buy on Amazon. HBO is available as a Channel on HBO as well for non-cable subscribers.

Be sure to read Requiem for Mac: How Domenick Lombardozzi won Ray Donovan fans on The Natural Aristocrat.

Continue Reading

Stanley Kubrick

National Symphony Orchestra of Mexico to perform Kubrick film music

Published

on

La Orquesta Sinfónica Nacional de México (OSN) will be performing two nights of Stanley Kubrick film music titled 'Kubrick Sinfónico Reloaded' or Kubrick Symphonic Reloaded at Palacio de Bellas Artes. - Photo Credit: INBAL / Palaciode Bellas Artes
Photo Credit: INBAL / Palaciode Bellas Artes

La Orquesta Sinfónica Nacional de México (OSN) will be performing two nights of Stanley Kubrick film music titled ‘Kubrick Sinfónico Reloaded’ or Kubrick Symphonic Reloaded at Palacio de Bellas Artes.

The National Symphony Orchestra of Mexico (La Orquesta Sinfónica Nacional de México) will be playing a full range of iconic pieces from Stanley Kubrick’s films on Friday, March 6 (8 pm) and Sunday, March 8 (12:15 pm) in Mexico City’s Palace of Fine Arts (Palacio de Bellas Artes).

According to INBAL (Mexico’s National Institute of Fine Arts and Literature), eleven compositions will be featured total from Barry Lyndon, A Clockwork Orange, 2001: A Space Odyssey, The Shining, and Eyes Wide Shut. * “Pomp and Circumstance March No. 1 and 4” are counted as one piece for the above INBAL link’s number of 10. José Luis Castillo will be conducting/guest directed the show with Juan Arturo Brennan narrating the event with the history of each piece. The presentation will be part of OSN’s ‘Programa 5’, or fifth program of the season.

The Full Program:

2001: A Space OdysseyJohann Strauss/Performed by the Berlin Philharmonic Orchestra, conducted by Herbert von Karajan. (version for film) – “The Blue Danube”

A Clockwork OrangeBeethoven/Wendy Carlos (version for film) – “Suicide Scherzo (Ninth Symphony, Second Movement, Abridged)”
A Clockwork OrangeEdward Elgar – “Pomp And Circumstance March No. 1”
A Clockwork OrangeEdward Elgar – “Pomp And Circumstance March No. 4”
A Clockwork OrangeHenry Purcell/Wendy Carlos (version for film) – “Music for the Funeral of Queen Mary”

Barry LyndonFranz Schubert – “German Dance No. 1 in C major”
Barry LyndonFranz Schubert – “Piano Trio in E-Flat, Film Adaptation of the Opus 100 2nd Movement”
Barry LyndonFrederick The Great – Hohenfriedberger March *

Eyes Wide ShutDmitri Shostakovich – “Waltz No. 2”
Eyes Wide ShutFranz Liszt – “Grey Clouds”

The ShiningGyörgy Ligeti/Wendy Carlos (version for film) – “Lontano”

Kubrick Sinfónico Reloaded: Ticket Availability

Tickets for the event appear sold out on Ticketmaster for Sunday’s event and no longer available online for tonight’s performance. If you’re a local resident, your best bet might be to go to the venue’s box office.

More Stanley Kubrick Coverage at The Natural Aristocrat

Be sure to watch The Natural Aristocrat’s exclusive one-on-one interview with Stanley Kubrick’s daughter Katharina Kubrick and view a walking video tour of the ‘Envisioning 2001″ exhibit at NYC’s Museum of the Moving Image.

Footage of the entire ‘Envisioning 2001′ press presentation featuring a Q & A session with Katharina Kubrick is also available!

The Natural Aristocrat examined the greatness of Barry Lyndon’s use of Handel’s ‘Sarabande’ duel music and how it layered the film. Read more Kubrick articles on The Natural Aristocrat’s Stanley Kubrick category section.

Continue Reading